Their singer, Josh always seemed to put everything he had into the live performance of any band he was in. In his teenage punk band, CAPITAL SICKNESS, he would fuck up playing bass because he was singing so hard with his eyes closed...and they ruled. With QUEERWULF, he didn't have any instruments to hold him back, so he was allowed to completely lose it while the rest of the band blazed through the songs behind him, which often resulted in broken glass, bloody microphones and/or a destroyed basement. Nothing about his lyrics or performance was an act though. Josh kinda lived this life 24 hours a day. Once, Josh walked out of his job and came to my house to get drunk. We rode bikes all over the city, drinking whiskey and spraypainting shit. I don't really remember the end of the night, but when I woke up on the floor in my room the next morning, Josh was a few feet away and we were surrounded by shards of broken glass. My roommate later told me that he came up to my attic room really late to find the two of us singing along to PETER STUBB as loud as we could while smashing beer bottles against the wall.
Also, when he sang about pissing on someone's grave and smiling, I could picture it vividly.
Blurry pic of the first QUEERWULF show at Rear Entry.
The rest of the band were no slouches either. As the band progressed, it seemed like were trying to make the music more and more intense as the years rolled by. Twists and turns in their songwriting became more unexpected and calculatingly precise. Sometimes, I felt like seeing them play was probably something close to what it felt like to see BLACK FLAG during the Damaged years (fortunately, QUEERWULF did not go further than that and start doing spoken word/instrumental albums...but I bet it would have been interesting).
The later years of QUEERWULF coincided with my departure from Chattanooga, so I don't know what happened to them or why they broke up, but I can assume that a band with that much intensity can only blow up at some point. The best bands are always the most volatile and difficult to maintain.
This CD-R collects their first 2 7" records and their side of the split LP with SHARP KNIFE. You can still get their posthumously released LP from Do Ya Hear We.