tag:blogger.com,1999:blog-69754674934084470952024-03-15T18:09:55.313-07:00Remote OutpostsHarvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.comBlogger566125tag:blogger.com,1999:blog-6975467493408447095.post-32557287581879264092023-02-07T20:54:00.012-08:002023-11-24T13:14:58.041-08:00Music Mixes for 2023<p><br /></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTWBOJaT8p2VJPDteXQtoilhZymNbchpmgVB92hBAg-fDjC14modc3U29U4RJe6uW-5NoogYhggq-mZFnHgx-fjUcEMwJLixxyg3_ykYXy5Ud3CWgpaTkXezNYYQhwX7inSHYfvqVg5EQLuBNTmaUkmBj3OUBYYYP00qdhxTQJRhWoTc_-tGQKdBYv/s1545/000061680008.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1545" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTWBOJaT8p2VJPDteXQtoilhZymNbchpmgVB92hBAg-fDjC14modc3U29U4RJe6uW-5NoogYhggq-mZFnHgx-fjUcEMwJLixxyg3_ykYXy5Ud3CWgpaTkXezNYYQhwX7inSHYfvqVg5EQLuBNTmaUkmBj3OUBYYYP00qdhxTQJRhWoTc_-tGQKdBYv/s320/000061680008.jpg" width="320" /></a></div><p></p><p> Oh hey there! Is this a new music post? Kind of.... </p><p> First off, I can't address every comment that is asking me to re-upload dead links, so I'll just say it here: My ENTIRE backup of mp3's got deleted somehow, due to a dying computer. They're all gone. I even took out the hard drive and went through it elsewhere. Oh well, I'm trying to move on and act like it's not a big deal. </p><p> Secondly, I decided to make a 1 hour music mix for every month of 2023. You probably won't find a ton of shoddily recorded punk demos in these mixes. I'm making them in the vein of a mixtape I got when I was 12. The tape had no track listing and the genres bounced around drastically, but many of the songs on it grew to be all-time favorites. These mixes have the band names, but no song titles. </p><p> You can find the current month's mix at <a href="https://soundcloud.com/remoteoutposts" target="_blank">Remote Outposts Soundcloud</a> at the top of the pile. </p><p><br /></p><p> When the new mix goes up, the old one will be deleted from Soundcloud, but they'll be archived and downloadable at the link below. Please keep checking back, if that's a thing you're into. </p><p style="text-align: center;">Thank you</p><p style="text-align: center;"><a href="https://archive.org/details/remote-outposts-jan-mix_202302" target="_blank">January Mix</a> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing">PATRICK JENNINGS – Jane//LIL’ BOB AND THE LOLLIPOPS – The
High Road//THE PLEASURE SEEKERS – What A Way To Die//LOW DOWN DA SINISTA –
Going Through A Thing//WARDS – Weapon Factory//BROKEN STRINGS - ???//VELVET
UNDERGROUND – After Hours//DAVIE ALLAN AND THE ARROWS – The Lonely
Rider//KRIGSHODER – Ditt Eget Stalingrad / Hatet//LEE MOSES – You Are Too Much
for The Human Heart//FASTBACKS – I Never Knew//JAKE THACKRAY – Scallywag//SKIP
GRAVES – I’m Mad At Me//D.L.I.M.C. – Wicker Park//DOROTHY – I Confess//JESSIE HILL
– My Love//WARREN BURNS – Losers On A Train//DEAD MOON – Demona//HEAVY
COMFORTER – Crazy, Gross and Old//YOGURT – End Of The World//CHIN’S CALYPSO
SEXTET – Night Food Recipe//SOLID SPACE – The Guests//BOB SEGER SYSTEM – 2+2</p>
<p></p><p style="text-align: center;"><a href="https://archive.org/details/remote-outposts-feb-mix">Feb Mix</a> </p><p style="text-align: center;"><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
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<![endif]-->IGGY AND THE STOOGES – Shake Appeal//THE PENETRATORS – Drive
Me Crazy //MINUTEMEN – Untitled Song For Latin America//IRMA THOMAS – Somebody
Told You//THE BELTONES – No More Heartaches// PEGGY LEE – Is That All there
Is?//HICKEY – Kingdom Come (outro)//RUSSIAN TSARLAG – On the Street// IMPRACTICAL
COCKPIT – Have A Wonderful Death//JACOB BERENDES – Twin Elephants//BLOODWALL –
Cello 3//THE MAGITS – Disconnect//BIG KITTY – Your Bird//SUN RA AND HIS
INTERGALACTIC SOLAR ARKESTRA – Outer Spaceways Inc//PUMPKIN WITCH – Chased By
The Shadows Of Autumn//ASH KREY – Crows//J GALLEGO – Downtown Cruising// JIMI
HENDRIX – Little Wing//DAS BEACH BOYS – Street Whites</p><p class="MsoNoSpacing" style="text-align: center;"><a href="https://archive.org/details/remote-outposts-april-mix" target="_blank">April Mix</a> </p><p class="MsoNoSpacing" style="text-align: left;"> <!--[if gte mso 9]><xml>
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Demolicion//WILLIE DUNN – I Pity The Country//WHITE TRASH SUPERMAN –
Clock//ABNER JAY – I’m So Depressed//SBSM – Teeth//NIGHT FEVER –
Fallout//CARLOS MONTOYA – Buleria//DIG & MIG – Skyggerne//G.L.O.S.S. –
Outcast Stomp// SUGLUK – I Didn’t Lnow//AVENGERS VI – Good Humor Stomp//SONGS
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Cigarettes & Coffee//PETER STUBB – Sad Way To Go//THE SPARK PLUGS –
Chicken//THEE HEADCOATS – I Wish I Knew What I Was Living For//THE KWOP
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Dr Geek//RUNAWAYS – Wasted </p><p class="MsoNoSpacing" style="text-align: center;"> <a href="https://archive.org/details/remote-outposts-may-2023-mix">May Mix</a></p><p class="MsoNoSpacing" style="text-align: left;"> YOUNG MARBLE GIANTS – Final Day//ROBERT PALMER – Johnny
And Mary//JUANITA ROGERS – I’m So Glad You Love Me//OF MONTREAL – Absent
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Unpaid//WILSON PICKETT – Give Your Lovin’ Right Now//SCHMIDTHEADS – Falling//THE
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Laocadean//ANGEL BAT DAWID – London//LEE FIELDS – I Should Have Let you Be//RAINBOW
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Have Eyes//TENDER TANTRUM – Firework//AGENT ORANGE – Everything Turns Grey//THE
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Black/White//KOLLAA KESTAA - Kirjoituksia Kellarista//NO HOPE FOR THE KIDS –
Rainy Day//THE SONICS – Psycho//THE BREEDERS – Freed Pig// HUSKER DU – These
Important Years//LEE HAZLEWOOD – Poor Man//JONATHAN HALPER – I Am A Hermit//HUFF
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BECK – A Slippery Subject//THE EAT – Catholic Love//BLITZ – New Age//WADE BOGGS
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
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<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
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<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
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<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
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<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
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</p><p class="MsoNoSpacing">THE VENTURES – The Ninth Wave//OBSERVERS OBSERVING
OBSERVABLES – Summer Emotion//DEAD MOON – Day After Day//LEE MOSES – Bad
Girl//IRMA THOMAS – Wish Someone Would Care//CREEDENCE CLEARWATER REVIVAL –
Effigy//SUN RA AND HIS ASTRO SOLAR INFINITY ARKESTRA – Blues On Planet
Mars//YOUR HEART BREAKS – Icy Roads To Index//50 MILLION – Burn Away//GEECHIE
WYLIE – Last Kind Words//PINECONE PEOPLE – Keep Marching//BABY HUEY – A Change
Is Going To Come//THE BODY – A Body</p><p class="MsoNoSpacing" style="text-align: center;"><a href="https://archive.org/details/remote-outposts-august-mix" target="_blank">August Mix</a><!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing">SUN RA AND HIS SOLAR MYTH ARKESTRA – Outer Spaceways
Inc//THE COSMIC RAYS – Somebody’s In Love//SUN RA AND HIS ASTRO INFINITY
ARKESTRA – The Perfect Man//YOCHANAN – Hot Skillet Mama// THE SENSATIONAL
GUITARS OF DAN AND DALE – Batman Theme//SUN RA QUARTET – When There Is No
Sun//LE SUN RA AND HIS ARKESTRA – Advice To Medics//SUN RA AND HIS MYTH SCIENCE
ARKESTRA – Space Aura//SUN RA AND HIS ARKESTRA – West End Side Of Magic City//SUN
RA – Interplanetary Travelers//SUN RA – I Am An Instrument//THE COSMIC RAYS –
Daddy’s Gonna Tell You No Lies// SUN RA AND HIS INTERGALACTIC RESEARCH ARKESTRA
– It’s After The End Of The World//SUN RA AND HIS ASTRO-GALACTIC INFINITY
ARKESTRA – I’m Gonna Unmask The Batman//SUN RA AND HIS ARKESTRA – Saturn
Research//SUN RA AND HIS MYTH SCIENCE ARKESTRA – The Others In Their World//THE
NU SOUNDS WITH SUN RA AND ARKESTRA – A Foggy Day//SUN RA – They Can’t Accept
Me//THE SUN RA ARKESTRA – Cosmo-Extensions//SUN RA AND HIS SOLAR MYTH ARKESTRA
– They’ll Come Back</p><p class="MsoNoSpacing" style="text-align: center;"><a href="https://archive.org/details/remote-outposts-sept-mix-for-mpls" target="_blank">September Mix</a></p><p class="MsoNoSpacing" style="text-align: center;"> This one is for August Golden and those affected by the shooting and
murder in Minneapolis. Every band featured is from a block radius of
Nudieland. </p><p>SCROUNGER – Lifers//VARIX – Locked
Up//BLOODWALL – Cello 3//DOGS – Bomb The Skyways//TOTALLY CHAOS – Wild
Outside//SHEP AND ME – Sittin’ Round//IMPRACTICAL COCKPIT – Fresh
Shrimp//CLAIRE’S GIRLFRIEND – Live At Nudieland//THE LODESTONES – Lost
Words (For Elyse)// VISITOR - Untitled//TEXTURE FREQ – I Fucked Artaud
And Lost//DIRTYARD – 10,000 Black Sheep//TRUDIE PLUNGERS – Title
Unknown//COUNTY Z – End Of The World//DEUCE BOLDLY – The Great
Terribleness//DOGGERELLA DECIDED UPON – A4//HYAX – Twin//FEVER GLEAMING –
On My Tail//CRUELTY – Untitled//HORSE GIRL – Stick Around//KING BADDOG -
Live At Nudieland//3 MOONS – H.A.A.R.P. (We Milk The Clouds)//FROZEN
TEENS – Hopeless City</p><p style="text-align: center;"><a href="https://archive.org/details/remote-outposts-oct-mix" target="_blank">October Halloween Music Mix</a><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
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<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
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<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
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<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
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</p><p class="MsoNoSpacing">THE CURE – Jumping Someone Else’s Train//THE RIP OFFS –
She Said Yeah//SHONEN KNIFE – Lazybone// MINUTEMEN – Political Song For Michael
Jackson To Sing//MELVINS – Antitoxidote//BEAT HAPPENING – Knick Knack//VOID –
Authority//PROPAGANDHI – The Overtly Political But Oh So Intensely Personal
Song//THE MUMMIES – I’m Down//THE RESIDENTS – N-R-G (Crisis Blues) Partial//MUDHONEY
– Thorn// THE SLACKERS – The Big Scam//MINOR THREAT – I Don’t Wanna Hear
It//NAKED CITY – Pile Driver// BREEDERS – Don’t Call Home//STOOGES – Not
Right//REDD KROSS – Kill Someone You Hate// PUNKY ROCKIT – Smoke//CUB – Surfer
Girl//BIKINI KILL – Carnival//CRIMPSHRINE – Summertime//THEE HEADCOATS – Girl
From ‘62//TEENGENERATE – Dressed In Black//THE DONNAS – I Wanna Be A
Unabomber// PINHEAD GUNPOWDER – Future Daydream//THE VOMIT SPOTS – I Want To
Bowl// GAUNT – Rich Kid//THE FALL OUTS – Here I Come//FASTBACKS – Everything I
Don’t Need//</p>
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<p></p>Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com8tag:blogger.com,1999:blog-6975467493408447095.post-54129062196674160642020-12-30T13:56:00.001-08:002020-12-30T13:56:21.461-08:00A FEW THINGS THAT WERE OK IN 2020<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKU5B_eYSMsnRxYc3u316i2h351StMlC3Lb9I8pgNZ0jAGBcOIWf5TXU0MO4WUx1eDmURWXWeqYd-omgcjIvI1wJi3-Q-0lXaZONe6Ui5FBpFgG1SIpSbWUO9CAQYM9pSq7eTWBZ-otfI/s2048/file.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1617" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKU5B_eYSMsnRxYc3u316i2h351StMlC3Lb9I8pgNZ0jAGBcOIWf5TXU0MO4WUx1eDmURWXWeqYd-omgcjIvI1wJi3-Q-0lXaZONe6Ui5FBpFgG1SIpSbWUO9CAQYM9pSq7eTWBZ-otfI/s320/file.jpg" width="320" /></a></div><p> 2020 was awful. There's no sense in belaboring that point. I easily spent more time online and in my room than any other era in my life. I'm not going to write about a specific band in this post, but I will provide links at the bottom of the post to the music from this year that helped me get through this bog of shit. Instead, I'm going to tell you about the good things I found or did this year while spending time in my room...stuff that made life a little easier or provided connection or respite from such a harsh reality. </p><div style="text-align: left;"><a href="http://communitymusicworks.org/bach-marathon-listening-guide/" target="_blank">BACH TO THE FUTURE VIII - THE ALL NIGHT BACH MARATHON</a></div><div style="text-align: left;"> </div><div style="text-align: left;"> This is an event that has been happening in Providence, RI for 8 years now and usually takes place at Brown University. I've wanted to go for a long time, but have just never made the trek, due to the twin terrors of geography and finances. This year, due to the more pressing terror of Covid, the marathon was brought to our respective doors via the internet and WELH 88,1 FM (and Fujichia, which we'll get to in a minute).</div><p></p><p> The marathon is curated through the hard work of Sakiko Mori and features everything from classically trained musicians to experimental knob turners to rockers to plunkers and more, all interpreting the works of Bach however they see fit. It starts at 7pm EST and runs to 7am. I probably experienced up to 7 or 8 hours of the marathon in my house. During a time that has given me nothing but anxiety and depression, this event helped me to feel at ease in the world. I listened in the dark and while doodling and while baking cookies and while just looking out the window at the street lights. At one point, the radio DJ was an 8(?) year old kid. It ruled. </p><p> As of this writing on 12/30/2020, the link above is active and will lead you to the audio, along with an hour by hour breakdown of all the performers. </p><p> <a href="http://www.fujichia.com/" target="_blank">FUJICHIA</a></p><p> Jacob started this site in 1999 and then shut it down in...uhh...2009? 2010? During that time, it led me to a lot of interesting wormholes of information and way-out thoughts. I was sad to see it go away, because it was so wondrous and the internet is full of so much potential, but is largely populated by billboards. This year, Jacob brought it back in the guise of a creepy castle, somehow retaining the charm of its former incarnation while also being better. It is updated every Tuesday and has the tone of "Hey, how's it going? I just wanted to share this thing with you. Even if it's not your thing, we can still hang out." I don't want to get too deep with it, because it's just there to explore (and you should explore all over) and you can discover what works for you. My favorite parts of the site are when I kinda don't really know what is going on, but I'm still intrigued anyway. Like, there's a lot of gatekeeping that happens in the world, but at Fujichia, the gate is always open for you. </p><p><a href="https://thetouringdays.blogspot.com/" target="_blank">THE TOURING DAYS</a></p><p> This one came in right under the wire (like 2 days ago) and I'm glad it came into my life, thanks to <a href="https://tombubul.info/" target="_blank">Tom Bubul</a>. In this blog, Ren casually and eloquently discusses touring with his bands and experimental projects. Here is why I like this: The music I play is (in the simplest terms) largely standard punk and generally falls within the confines of a culturally accepted form of sped up rock n roll. Ren plays more chaotic, experimental and difficult music. Yet, I'm sure that we have both answered the question of "Did you make any money on tour?" with "No, but the audience in [insert city here] tried to fight me for playing music."</p><p> I found myself laughing out loud throughout this entire blog because I recognized so much of the casual chaos and real danger that Ren writes about. It's compelling and fun and horrible. I highly recommend this to anyone who has ever pulled up to a show in a dying car or woken up in a room with several stray dogs. </p><p>BECOMING A PATRON OF THE ARTS</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA81BEeJn0yHCyKnknjifoH81B0QWgn02Eq5YaoAGo7z5iHExqd7DXEg0MS7kY2S8OlEBu8c8OUJwhJvsI2NlIap84OxchSYBsj2-JNkXF3VC8JO2CRXgzHiP_2-8g3Di6kSIDgJNcFRI/s2048/janelle.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1721" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA81BEeJn0yHCyKnknjifoH81B0QWgn02Eq5YaoAGo7z5iHExqd7DXEg0MS7kY2S8OlEBu8c8OUJwhJvsI2NlIap84OxchSYBsj2-JNkXF3VC8JO2CRXgzHiP_2-8g3Di6kSIDgJNcFRI/s320/janelle.jpg" /></a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"> I'm not sure when I first came into contact with <a href="https://www.janelleblarg.com/" target="_blank">Janelle Hessig's</a> art, but it was probably her back cover drawing of teenage girls drinking, spray-painting and puking on the back cover of the <a href="https://www.youtube.com/watch?v=i7FuhrNATFU" target="_blank">RAOOUL</a> 7", which I was obsessed with in high school. As a kid, I was really into Peter Bagge, Julie Doucet, R Crumb and Dan Clowes. Janelle's comics seemed to take some inspiration from them but also had it's own voice and felt closer to my life because it was filtered through the lens of grimy punk houses, rotten food and crust-puff lifestyle... and all with gut-busting laffs and style. I followed Janelle's work through record covers, her self-published zines, art shows, flyers and more. As we've all aged, her work has grown up with us and doesn't try to stagnate in some sort of pema-adolescence, which I really appreciate. I was happy that Janelle started a <a href="https://www.patreon.com/Janelleblarg/posts" target="_blank">Patreon</a> page this year, so that after all this time, I could be a real card-carrying member of her fan club. I look forward to every bit of art from her and hope there's a book in the future, full of gigantic asses, puking ducks, stink lines and the laughter that we need in this sad, desperate reality. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwOSXB_hovLeBUJghAZQpUiQzZR1P4tyblT78dd05E_gJeAmXf6M4zZ2iyjHw7eVNet9iumS5xUA3lwHjFedcMpYlv0wIt0U5VI3z2c8gikAeYPImc0sR6I-TzleZkOV2FiqZASUfeGX0/s1814/janelle2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="772" data-original-width="1814" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwOSXB_hovLeBUJghAZQpUiQzZR1P4tyblT78dd05E_gJeAmXf6M4zZ2iyjHw7eVNet9iumS5xUA3lwHjFedcMpYlv0wIt0U5VI3z2c8gikAeYPImc0sR6I-TzleZkOV2FiqZASUfeGX0/s320/janelle2.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><p>COPYSCAMS</p><p> To be transparent, this is my thing and it's on instagram. I went to a record swap in 2019 and noticed that a lot of people were selling old punk flyers. That kind of commerce is definitely Not My Thing, but I do own hundreds of flyers because I can't throw stuff away. I was talking to a friend at the swap about this collection and he encouraged me to document it in some way, because what use is it to just sit in your closet? So, I started an instagram page and kept it simple: the city, state, year and name of the person who made the flyer. That's it. I got really burned out on documenting the stories of everything by writing this blog...and also, it just causes problems in a lot of ways. Fast forward a year and the pandemic hit. I got a little more wordy because I have a lot of time on my hands and it felt better connecting with people by telling a small story about something that happened at the show, if I could remember anything. I decided to be more open to being wrong too...because our memories are faulty. It's updated on most days when I feel like it and usually happens when I'm drinking coffee. If you've been a fan of this blog, you'll probably find something you like in there.</p><p><a href="https://remoteoutposts.bigcartel.com/" target="_blank">POSTCARDS</a></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2lLJlss3USt9iWOxsNb0LAPvulLTx5dnIVvOq0VR7obqpyOaFxU4EZRAryjII_lUl64lsLifSNvMKih0CLB2qNWYVkSzLkaQmpPTt00CK1BqzpXkoeq3kG1fm1qY6qQdp1UZ_gLWK7lA/s2048/post.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1632" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2lLJlss3USt9iWOxsNb0LAPvulLTx5dnIVvOq0VR7obqpyOaFxU4EZRAryjII_lUl64lsLifSNvMKih0CLB2qNWYVkSzLkaQmpPTt00CK1BqzpXkoeq3kG1fm1qY6qQdp1UZ_gLWK7lA/s320/post.jpg" /></a></div><p> Over the last few years, I've been trying to focus more on film photography and get good at it. To be honest, I still don't know what I'm doing, but it's fun to try and figure it out. Pre-pandemic, I had been tossing around the idea of organizing a DIY photography show with a few friends, but the world quickly squashed that idea flat. I still wanted a way to share photos with people that was offline and accessible when I got an envelope in the mail full of postcards from my friend, Cory Bell. He has been taking photos on 110 film and turning some of them into postcards (find him at @littlecameras on the photo social media). My roommate, Anandi has also been making postcards of her photos for many years now. I wanted to do this too, so I got some pointers from the two of them, picked some photos and had my own batch within a couple of weeks. </p><p> It's feels really good to connect with people like this and throw my 35mm photos out into the world in a way that is cheap, easily accessible and supports the USPS. Learning how to use online photo editing for the first time in my life has kept me busy as well. I'm all sold out of them for the moment, but I'm hoping to make some new ones in the new year. </p><p><br /></p><p>Below, in bite-sized formats, are music releases from this year (and 2019) that got me through this heap of shit, in no order of importance. I always recommend supporting artists directly when you can.</p><p><a href="https://suckblood.bandcamp.com/album/krigshoder-krig-i-hodet-ep-sb-06" target="_blank">KRIGSHODER</a> - Favorite hardcore of the last few years.</p><p><a href="https://intlanthem.bandcamp.com/album/the-oracle" target="_blank">ANGEL BAT DAWID - "The Oracle" LP</a> - This came out in 2019 and is the next generation of amazing cosmic jazz. It was recommended to me by my longtime friend Adee, who always has the best taste. I also think it's worth noting that this was recorded on a phone. </p><p><a href="https://necrosignatures.com/" target="_blank">MESSAGE TO THE RAT KING</a> - I don't know if these fools wanna stay anonymous, but it seems that way for the time being. Compelling, interesting music from people who know what the fuck they're doing. </p><p><a href="https://prisonertexas.bandcamp.com/album/choose-your-delusion" target="_blank">PRISONER</a> - The sound of wondering if your friends are ok</p><p><a href="https://patrickjennings.bandcamp.com/album/immediate" target="_blank">PATRICK JENNINGS - "Immediate" LP</a> - This one also came out in 2019, but I can't stop listening to it. I went on tour with Patrick's old band for nearly 3 months once and it was awful. I'd find myself on the verge of strangling him on some nights only to have him pick up the guitar and deliver his songs with a conviction and energy that would stop you in your tracks. One of my favorite songwriters. I'm glad we're both sober now. </p><p><a href="https://ironlungpv.bandcamp.com/album/synaptic-noise-dissociation-lp-lungs-169" target="_blank">LEBENDEN TOTEN - "Synaptic Noise Dissociation" LP</a> The sound of insanity. Best heard at fuck-all loud volume. </p><p><a href="https://2lazyboys.bandcamp.com/album/the-recline-of-western-civilization" target="_blank">2 LAZY BOYS - "The Recline Of Western Civilization" LP</a> - Simple sounding, yet intricate and insanely catchy pop from Oakland, CA. This record is addictive.</p><p><a href="https://ironlungpv.bandcamp.com/album/men-and-their-work-lp-lungs-160" target="_blank">ALL HITS - "Men and Their Work" LP</a> Saw them in a park in Portland last year and I immediately wanted everything they'd ever put out. </p><p><a href="https://dontask1.bandcamp.com/album/dont-ask-flower-zombies-split" target="_blank">DON'T ASK / FLOWER ZOMBIES Split LP</a> - Got this for one of my favorite Oakland basement punk bands and was also pleasantly introduced to Japan's FLOWER ZOMBIES. A great LP all around. </p><p>Also, shout out to all the friends who have sent random texts, shared nighttime phone calls or just sent anything worth laughing about. Keep an eye on your loved ones in the coming year and take care of each other. </p><p style="text-align: center;">More into mail than the online world always.</p><p style="text-align: center;">All mail gets a response. </p><p style="text-align: center;">G Harvester - PO BOX 40786 - San Francisco, CA 94140</p><p style="text-align: center;"><br /></p><p><br /></p>Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com1tag:blogger.com,1999:blog-6975467493408447095.post-68656834748625027052020-10-04T17:17:00.003-07:002020-10-05T13:17:05.233-07:00"BIG AND LITTLE SHANK PRODUCTION: SHIT YOU MIGHT NOT HAVE. VOL 1. 17 BANDS, 53 SONGS" - Tape - Comp - 2001<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzd_4J8SGhleGac1cWCTWeNQiXPAduK0fF7-fS3n2HUXzu4XdjFGmbpHCdbh17m2xdPMs3xdyJBfbP7SEI-iIShyphenhyphenz0o4tNduX3jet04aBWuwi0bZA0OQCdlUENYKcuvHLseq7HEpRmnYw/s1222/Cover.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1222" data-original-width="866" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzd_4J8SGhleGac1cWCTWeNQiXPAduK0fF7-fS3n2HUXzu4XdjFGmbpHCdbh17m2xdPMs3xdyJBfbP7SEI-iIShyphenhyphenz0o4tNduX3jet04aBWuwi0bZA0OQCdlUENYKcuvHLseq7HEpRmnYw/s320/Cover.jpeg" /></a></div><br /><p></p><p> This tape was put out by Big Shank (Jeremy "Big Shank the Bandit" Johnson) and Little Shank {Josh Mayfield) in 2001 and acted as the third installment of the Region Rock cassette comps (links for the first two comps and a slew of other related demo tapes are linked at the end of this post). Region Rock (a term coined by Cinque from the Spawn Sacs, as the story goes) refers to a loose geographical triangle with points in Little Rock, Chattanooga and Miami and does not dictate a certain sound, but rather is a catch-all term for a group of friends playing punk under their own terms. It has been widely defined by people outside of these loose barriers (I say loose because this line has definitely looped up around Asheville, NC from time to time) as something like "bouncy, jangly pop-punk" but I'm certain that these people have never huffed gold spraypaint out of a paper bag while sweating on a porch at 4am with less than 27 cents to their name. Region Rock bands like BRIS, QUEERWULF, SUCKERPUNCH and SPAWN SACS will have anyone throwing those definitions off of the train bridge over the toxic waters of Chattanooga Creek in less time than it takes Ed to shotgun a beer. Onto the tape. </p><p> The reason that this tape wasn't previously given it's place among all of these other tapes on the blog is this: Josh gave me a copy of this tape when it was released in 2001. When I got it home, I listened to the first couple of JOE SMITH songs before that abruptly ended and I discovered that the rest of the tape was a dubbed copy of the MOTORHEAD album "Rock 'N' Roll", which is a great album. I'm listening to the tape right now. I never got a replacement tape with the proper songs on it, but <a href="https://orange-sls-records.bandcamp.com/" target="_blank">Orange-SLS Records</a> out of NY was nice enough to send the mp3's over to me to share with you. Better late than never. </p><p> The main difference between this comp and the earlier ones is that, with the exception of LES TURDS and JOE SMITH, the scope does not venture more than 100 miles out of the city limits of Chattanooga. The tape starts off with JOE SMITH, BRIS, THE MORONS and CAPITAL SICKNESS, who have all been written about extensively on here and you can find links to them below. THE TEENY FLOPPERS were slightly before my time in Chattanooga and I don't know shit about them, but I would see their singer / drummer Carey playing in other bands in Chattanooga and it always blew my mind that he could sing so well while pounding the shit out of the drums. Within 6 songs on this tape, they go through 3 bass players. </p><p> You will find more info about ADD/C linked below. </p><p> THE SOCIAL LIES were from Huntsville and Triana, AL and played sloppy, tuneful, screamy, teen punk. They sounded like a tug-of-war between singer / guitarist Brontez's love of riot grrrrl and east bay punk and drummer / singer Tameka's more straight-ahead hardcore approach, Their shows could be intense or just fun, depending on the mood. I saw both. One where they made it through the set with all of us pogoing along with them and another where the two members started yelling at each other and stormed out in front of a stunned audience. Either way, their song "Fuck The Scene" has always stuck with me and they were an important part of this era. The Chattanooga punks basically adopted the band into their town before Brontez moved there. You can find a video of them playing in Chattanooga at Rear Entry (a punk-ran show space) <a href="https://www.youtube.com/watch?v=Seca94Ju5zQ" target="_blank">right here</a>.</p><p> COCAINE SUMMER SPLASH was a real rock n roll nightmare fronted by Big Shank, who sadly passed away in 2013. He has so many unbelievable and maniacal stories about him that I couldn't even begin to scratch the surface here. CCS recorded these songs in Chattanooga and the band never had a proper release until 2020 when Josh Mayfield put out a discography tape on his label WereOpossum Records. CCS was all about drugs, partying and crime, but like, in a real way. I feel like there's STILL things I can't talk about, but I can tell you that the band had to unofficially change their name on flyers to THE PARTY AIN'T EASY because the cops were looking for them. I know that our house was not the only one visited by the Chattanooga pigs...where we were forced to keep a straight face while they asked us if we knew anything about the 7 foot tall graffiti all over town that stated in big bold letters, "COCAINE SUMMER SPLASH." RIP Shank. He was one of a kind. </p><p> I don't know shit about THE COMPLAINTS either and that sucks. They were from North Georgia and featured wildman Allen with his truly deranged vocals. Sorry I don't know more. </p><p> You can and should read more about QUEERWULF and THE SHAFFERS in the links below. I think the tracks on this tape are from each of their first demos. If you've heard the lightning-fast live sets from THE SHAFFERS in the past, this slower version will throw you for a loop. </p><p> THE SPAWN SACS are also written about in the links below, but I don't think most of these songs appear anywhere else and, like just about every other SPAWN SACS song, they are SO. FUCKING. GOOD. Embrace the tape deterioration. </p><p> JACK PALANCE BAND offers up two songs from their demo (and a re-recorded demo track) as well as one of their shortest, most vicious songs of all time that doesn't appear anywhere else, "Goddamn the Holocaust". </p><p> There are two tracks from Dalton's most valuable asset (and I know it's the carpet capital of the world), PETER STUBB. The second track "Evil" literally stopped me in my tracks. If you're not familiar with STUBB's long-running musical career, please follow the link below and seek out the short documentary "I'm Like This Everyday", made by Mitchell Powers and Josh Mayfield. </p><p> LES TURDS, like COCAINE SUMMER SPLASH, were an unstoppable force of drunken depravity led by a very tall, now deceased wild man known as Brian Turd. I don't feel like I can honestly do them justice and they are one of the few bands on here who have a little more of an internet presence outside of this blog. </p><p> You can and should find more info and an unreleased LP by Alabama's Suckerpunch in the links below. Their two songs on this comp are from their amazing demo tape. </p><p> F.D.I.A. is another one of those bands from the north Georgia region that I can't remember much about, but their songs on here are awesome. I can't remember everything! Give me a break! </p><p> All three region demos come from a place of low standards and even lower budgets, so you will have to learn to enjoy the tape hiss and the shitty recordings. But that's why you're here, right? </p><p style="text-align: center;"><a href="https://archive.org/download/shit-you-might-not-have-vol-1/Shit%20You%20Might%20Not%20Have%20Vol%201.zip" target="_blank">DOWNLOAD COMPILATION</a><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5wJCwEc_ushLUcN_hhUbVGM87JI5y315neck_YYznuHOpUQMwZg-Lm5yNUVZIGvF8_I5ec9Al4zaWo3ViTklSF33LO7y9bVH5C9igygz-bEB7sl9ALY7fUeqeyXetElkI3ky73k2zaBA/s2048/track+listing.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1883" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5wJCwEc_ushLUcN_hhUbVGM87JI5y315neck_YYznuHOpUQMwZg-Lm5yNUVZIGvF8_I5ec9Al4zaWo3ViTklSF33LO7y9bVH5C9igygz-bEB7sl9ALY7fUeqeyXetElkI3ky73k2zaBA/s320/track+listing.jpeg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Related links to more info and full demo tapes. </div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2012/01/technical-difficulties-from-day-one.html" target="_blank">TECHNICAL DIFFICULTIES FRM DAY ONE - First Region Rock Comp</a> </div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2011/08/fuck-curse-compilation-tape-2000.html" target="_blank">FUCK THE CURSE - Second Region Comp</a><br /></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2013/05/joe-smith-tape-2001.html" target="_blank">JOE SMITH Discography</a> </div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2011/06/bris-complete-discography-tape-2000.html" target="_blank">BRIS Discography</a> <br /></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2014/04/the-morons-discography-tape-2012.html" target="_blank">THE MORONS Discography</a><br /></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2013/08/capital-sickness-toolin-for-lucifers.html" target="_blank">CAPITAL SICKNESS "Toolin'..." Tape</a><br /></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2011/10/addc-1st-tape-2000.html" target="_blank">ADD/C Demo Tape</a><br /></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2012/06/queerwulf-18-songs-cd-r-2003.html" target="_blank">QUEERWULF 18 Song CDr</a><br /></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2011/08/spawn-sacs-driller-killers-split-tape.html" target="_blank">SPAWN SACS / DRILLER KILLERS Split Tape</a><br /></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2011/12/shaffers-live-at-collins-tape-1994.html" target="_blank">THE SHAFFERS Live at Collins</a> </div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2012/01/shaffers-live-on-wnyu-tape-1995.html" target="_blank">SHAFFERS - Live at WNYU</a></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2012/03/shaffers-live-at-20-below-tape-1993.html" target="_blank">SHAFFERS Live at 20 Below</a><br /></div><div style="text-align: center;"><a href="https://addrecords.bandcamp.com/album/get-this-shit-under-way" target="_blank">JACK PALANCE BAND - "Get This Shit Under Way" LP</a><br /></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2011/06/jack-palance-band-1st-tape-1995-1996.html" target="_blank">JACK PALANCE BAND - First Demo</a><br /></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2013/03/peter-stubb-blueberry-masturbator-tape.html" target="_blank">PETER STUBB - "Blueberry Masturbator" Tape</a><br /></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2011/06/peter-stubb-powdered-doughnuts.html" target="_blank">PETER STUBB - "Powdered Doughnuts"</a><br /></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2011/08/suckerpunch-hit-you-where-you-live-tape.html" target="_blank">SUCKERPUNCH Demo</a><br /></div><div style="text-align: center;"><a href="https://remoteoutposts.blogspot.com/2012/09/suckerpunch-unreleased-lp-2001.html" target="_blank">SUCKERPUNCH Unreleased LP</a> <br /></div>Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com2tag:blogger.com,1999:blog-6975467493408447095.post-46697080535319768582020-09-26T14:13:00.003-07:002020-09-26T15:54:11.011-07:00SHITBOY FROM OUTERSPACE - 1st Demo - Tape - 1994<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoi8hDnFqrBt_GqdsYWpXzzUHfY5tGwqwgtU3Fk9Iu09fiOXU3OwThJAfUaVU6R8nrX2lVF2pcUzuJRv0qBED9Z2LWrOoFHRYXnC2XM93F4lt_lyil_NzYCiZ9OEsEcuej1rwnOMCTP6Q/s827/tape.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="501" data-original-width="827" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoi8hDnFqrBt_GqdsYWpXzzUHfY5tGwqwgtU3Fk9Iu09fiOXU3OwThJAfUaVU6R8nrX2lVF2pcUzuJRv0qBED9Z2LWrOoFHRYXnC2XM93F4lt_lyil_NzYCiZ9OEsEcuej1rwnOMCTP6Q/s320/tape.jpeg" width="320" /></a></div> <p></p><p> So, it's been a minute...or two whole years, honestly, but quarantine and isolation do weird things. Let's get to the point of this entry and then there will be extra info after that. </p><p> SHITBOY FROM OUTERSPACE is no stranger to this blog, having appeared <a href="https://remoteoutposts.blogspot.com/2011/11/shitboy-from-outerspace-live-at-tip-top.html" target="_blank">here</a> and <a href="https://remoteoutposts.blogspot.com/2012/12/help-me-im-trapped-in-ford-festiva.html" target="_blank">here</a>, but I thought this first demo was lost forever. Recently, it turned up on a tape that I found in the bottom of a drawer and I couldn't be happier. This first version of the band featured Joey Tacon (THE SLACKERS and JOEY TAMPON AND THE TOXIC SHOCKS) on vocals, Jason Burke (565 BURNOUTS and 15E) on guitar, Robert Daniel (THE SLACKERS and THE PEEPS) on bass and Elijah Horgan (THE PEEPS and NIGHT SIEGE) on drums. As I remember, they recorded this demo in a studio (probably Smokin' Studios where almost all of the local punk bands tried to record) and did the whole thing live in one take in order to save money. [Sidenote about Smokin' Studios: the place was mostly just a room in an office park with egg crates nailed to the walls. The guys who worked there would give us good deals because we (the punks) were quick and didn't try too hard for the best sound. Being in a studio was special and just being a step up from a thrift store boombox felt like an 88 track wonderland. Still, we all should've tried just a little harder]. </p><p> The songs here are fast and loose in the best way. One of my personal favorites here is "Fuck the Goddamn Master Race" with the (sadly) eternal line "Fuck you, you stupid nazi fuck!" A runner up is their theme song (every band should have one) with the line "Crazy, crazy, I'm motherfuckin' crazy!" I did my best to clean up the sound, but this is a 25 year old recording that was already assy to begin with, so don't expect the Silver Jubilee digital remaster, but if you've checked in on this blog before, I'm sure you know what you're in for. </p><p> The download features the entire recording as one mp3, since there are few breaks and also an extra folder with the songs split up. </p><p style="text-align: center;"><a href="https://archive.org/download/shitboy-from-outerspace-1st-demo/Shitboy%20From%20Outerspace%201st%20Demo.zip" target="_blank">DOWNLOAD IT HERE</a> <br /></p><p style="text-align: left;"> </p><p style="text-align: left;"> Oh, you're still here? Yeah, I haven't updated this blog in two years and there are no plans to keep updating it with any regularity at all. I stopped doing this thing because I feel like it ran its course and I was no longer having fun doing it. I started this to share a lot of old recordings with the people who were around at those times and, just as importantly, with the people who were NOT around then and could benefit from hearing all of this rad lo-fi shit from the middle of nowhere. Part of me started to feel like a gatekeeper of sorts though and that is a bullshit feeling. There are no gates. Anyone can do this. It also felt weird and very disheartening to find that some people had parceled out some of the comps and other recordings here to only showcase performers online who went on to find fame or a larger underground notoriety, which is maybe the opposite point of this whole site. I don't feel like I should have (or would even want) any control over what happens with these recordings once they are on the internet, but finding that shit is just gross. There's so much going on in the underground at all times and people still just want to focus on the brightest star in the sky, so far out of reach. </p><p style="text-align: left;"> I hope ya'll are safe and keeping your head above water. Fuck this fascist power structure forever. </p><p style="text-align: center;">Fuck you, you stupid fucking nazi fuck.</p>Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com5tag:blogger.com,1999:blog-6975467493408447095.post-40460236125363636222018-09-13T18:11:00.001-07:002018-09-13T18:11:25.011-07:00THINGS FOR SALE <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHmSeNCyB-5TJsV92CsqBftUCM8SY5CysFIXsdFAC7mKE9YD-_-jvPRgLsQSUojCpL7RU6HaJ44qvla9DNQwyTI1z8YNDD1yfAKnbt5GzmLPP-TVSnRlDEXokgEvoHRwEoJxPxn33Qlbg/s1600/outoutout.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="563" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHmSeNCyB-5TJsV92CsqBftUCM8SY5CysFIXsdFAC7mKE9YD-_-jvPRgLsQSUojCpL7RU6HaJ44qvla9DNQwyTI1z8YNDD1yfAKnbt5GzmLPP-TVSnRlDEXokgEvoHRwEoJxPxn33Qlbg/s320/outoutout.jpg" width="180" /></a></div>
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I have some things for sale if you want to buy them.<br />
-- I wrote a zine about 70's punk band ICE 9 / COUNT VERTIGO. I'm very happy with it.<br />
-- SBSM, an Oakland band playing destructive synth, put out their 2nd tape with me.<br />
-- My old band RICE HARVESTER reunited in August to play one show in Chattanooga, TN. We have some ridiculous shirts left over if you want one.<br />
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<a href="https://remoteoutposts.bigcartel.com/product/out-out-out-the-story-of-ice-9-and-count-vertigo" target="_blank">CLICK HERE FOR MORE DETAILS AND TO ORDER</a> </div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com2tag:blogger.com,1999:blog-6975467493408447095.post-53185497931785696752018-09-13T18:01:00.001-07:002018-09-13T18:28:58.872-07:00JACK PALANCE BAND / ADDC / QUEERWULF - "Monsters of Rock" - EP - 2004<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLpuRX2TJoo6MkaOeMYSKpBBHlq1oyQpDe449-G1e5JXzUmPoSfZroLXIsReRZlNQ_tFqy2gsQ9qBIii3TtmyPUuBZvMK2Pb6GATwgJh7b9PaLN9e-cHELPmjGE4yxLj083hoqi-t_VWo/s1600/cover.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1547" data-original-width="1600" height="309" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLpuRX2TJoo6MkaOeMYSKpBBHlq1oyQpDe449-G1e5JXzUmPoSfZroLXIsReRZlNQ_tFqy2gsQ9qBIii3TtmyPUuBZvMK2Pb6GATwgJh7b9PaLN9e-cHELPmjGE4yxLj083hoqi-t_VWo/s320/cover.jpeg" width="320" /></a></div>
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Nowhere on this record does it say "Monster of Rock", but that has become the (un)official title of this record because all three of these bands toured together upon the release of this record and that was the name of the tour. I set up their final show of the tour when they came through Cleveland, MS where I was living at the time. JACK PALANCE BAND, after being one of the best region bands for the last ten years, were on shaky footing and didn't even make it to this show. Nevertheless, we drained the better part of two kegs and still had an amazing show out in the middle of nowhere in the Mississippi Delta.<br />
When all the bands left, the next day, I layed on my floor and listened to this record over and over. As the years progressed, these songs felt darker and stranger than I initially felt them to be. In my mind, their hometown of Chattanooga (and my former home) had taken a dark turn and I was afraid it might stay that way forever. I'm being purposefully vague because this is just my interpretation, but I got in touch with Daniel from ADD/C for info about this record and I think I was mostly right. I'll keep it simple so that you can just enjoy the thing. Pretty much, the whole record is about drugs (and not really in that fun way) and losing friends. "Now and Never" is about our friend Allison and sometimes I like to imagine that the song is just simply an ode to drugs themselves so I don't have to think about how they took Allison away from us just a few short years after this song was written. And I'll leave it at that.<br />
Notes on the recording quality: It's not great. It sounds like an alien transmission to me. I always thought it had something to do with the mastering, but Daniel told me that all the bands recorded on a broken 4 track (or maybe an 8 track with only 4 working tracks) with 1/4" tape on the top floor of the tree house, which was a long running freak abode in north Chattanooga. He blames that. Still, this record retains some weird, dark magic. QUEERWULF and ADD/C went on to do a lot more, but this was JACK PALANCE BAND's final release. Enjoy.<br />
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<a href="https://archive.org/download/JackPalanceBandADDCQueerwulf/Jack%20Palance%20Band%20-%20ADDC%20-%20Queerwulf.zip" target="_blank">DOWNLOAD</a></div>
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Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com3tag:blogger.com,1999:blog-6975467493408447095.post-16970936385099008152018-09-03T13:43:00.001-07:002018-09-03T13:43:47.517-07:00SHARKS KILL - Demo - Tape - 1996<div class="separator" style="clear: both; text-align: center;">
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Portland, Oregon's SHARKS KILL may already be familiar to some readers of the blog because I have mentioned them in posts with <a href="https://remoteoutposts.blogspot.com/2011/12/all-is-lost-tape-1997.html" target="_blank">ALL IS LOST</a> and <a href="https://remoteoutposts.blogspot.com/2012/01/punky-rockit-2-7s-1994.html" target="_blank">PUNKY ROCKIT</a>...or maybe you lived in Portland in the mid-90's and saw them playing house shows during that time. If this is your first introduction to them, welcome.<br />
I haven't had this tape since the mid-90's, but it was mailed to me by a longtime Portland resident who shall go unnamed...because when I received it in the mail, the manilla envelope that the tape originally came in (pictured above) was <i>still sealed, </i>meaning that the previous owner had probably never listened to it. My friend Harry used to play this tape in our shared house in Alabama and he always liked it a lot more than I ever did. Still, it's funny to say that you don't really like a tape, but there are still certain lines from songs that stick in your head for decades, even though you truly haven't heard them since 1998. There's some kind of weird power in that. So, when I pulled this tape out of the envelope and played it in my room in 2018, I was immediately mouthing the lines "Welcome to Portland...it gets dark and dreary here..."<br />
SHARKS KILL walked that line between catchy indie-punk and emo. Since this is a place where I try to be brutally honest (in a way that has led to many, many awkward conversations with friends and dead friend's parents over the years), I will tell you that I am a fan of being in touch with your emotions, but I am an enemy of emo. SHARKS KILL crosses too far over the line for my tastes in a few circumstances, like "Forever 17", but I would be lying through my teeth if I didn't say that I have flown down dark hills alone on my bike late at night yelling the line "Rock and roll forever!!" "Crush Song" is the kind of song that you can only write in 1996 and even then, maybe not.. Still, it's lodged in my brain and I kinda love it. "Postcard" is such a time-and-place song and really catchy...I couldn't believe it wasn't on the band's 7" from a year later. Something about the otherworldly and tinny recording adds to the charm of this whole thing.<br />
On this tape, they're a two piece, but they added Tasha on bass for their later 7" record. They didn't last long after that. Members went on to be in HOPE & ANCHOR, VEGAS THUNDER, TOUGH LOVE, BOYS OF SUMMER, DARK SKIES, FUTURE WEST and more.<br />
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<a href="https://archive.org/download/SharksKillDemo/Sharks%20Kill%20-%20Demo.zip" target="_blank">DOWNLOAD</a></div>
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Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com1tag:blogger.com,1999:blog-6975467493408447095.post-28833973410149921582018-08-30T12:30:00.000-07:002018-08-31T12:28:03.143-07:00VARIOUS ARTISTS - "The Fucking Rice Harvester Compilation" - Tape - 1996<div class="separator" style="clear: both; text-align: center;">
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Rice Harvester was a zine I made for 20 years. A zine is a bunch of paper that someone scribbled on, photocopied for free at a chain store, and then stapled together to hand out on the street so that someone might understand their feelings. For the fourth issue, I compiled a cassette of punk bands to go with the issue. A cassette is a piece of plastic that houses quarter-inch magnetic tape that somehow magically holds music onto it. You put these cassettes into an even bigger piece of plastic or metal with big clunky buttons. These bigger pieces of plastic or metal used to be found for almost nothing at thrift stores or on the street. Anyway, you push down one of those big, clunky buttons and, if everything is right with the world, actual music comes out...or whatever it is that someone recorded onto that cassette.<br />
SO, like I was saying, I put together a compilation tape that was given out for free with the free zine. I stole every last cassette from chain stores, sometimes just walking right out the front door with a few boxes of tapes in my arms because fuck capitalism and What Is Anything? The tape consists of some local favorites at the time (local at that time meant Huntsville, AL), bands that I wrote to for a song and some far-flung punk bands that were culled from my friend Joey's compilation LP that he never, ever intended to release. Imagine sending off your exclusive song with the intention of having it appear on this cool LP comp, but then it comes out on a free tape with some crappy zine from Alabama. Fuck yeah life!<br />
THE CRUMBS, from Miami, FL start it off. They were a RAMONES-loving punk band from Miami. They were all fun and everything, but we stopped setting up shows for them once our friend stopped playing drums for them and they said some sketchy shit about women.<br />
THE SLOBS, from Cincinnati were a weirdly underrated band from the mid-90's and they played sloppy basement punk. They put out a slew of shit, mostly in 1996 and this song, "Politician" did not appear on any of it, as far as I can tell. It's a funny concept for a song. "I don't wanna be a politician!!" Yeah, that's pretty easily avoidable, but a great thing to sing along to.<br />
JABBERJAW was a Huntsville punk band who always sounded better live than on tape. I saw these three teenagers play a bunch of different shows around town. They were always great, but could never really channel their enthusiasm onto the recording. I asked them to be on this comp and remember being impressed that they knew how to dub a plane crash sound onto their song. I still am. I can't do that shit....still. I love that this song is about being a dead pilot.<br />
FUN GIRLS FROM MT PILOT were from Nashville, TN and featured four guys who dressed in drag at their shows. The Huntsville scene really liked them, but I was kinda over them by this point. They were really fun and a good band...super bouncy punk and always a good live show, but I just wasn't too enamored like other folks were. What IS interesting is that they broke up and their singer, Cat went on to be a wrestling manager...like total WWF showman style, but on a DIY level. He wrote some articles in zines about it and seeing the similarities to DIY punk was really interesting. This song might be exclusive, but I'm not sure.<br />
PROPERTY is from Huntsville. They started in 1994(?) and they're <i><a href="https://property.bandcamp.com/music" target="_blank">still a band</a>. </i>I'm not sure if they've ever left the southeast US. At that time, their shows often included members of the band running headlong into other members of the band and knocking them across the room, completely ending the song. The 5 members of the band brought a lot of styles to the table, but mostly settled into hardcore and catchy punk. They were always great and fun to watch. I bet they still are. I love this song because the teenage singer's voice (Shane) is cracking and the song is just plain great.<br />
THE GRUMPIES have been discussed at length <a href="https://remoteoutposts.blogspot.com/2011/06/grumpies-demo-1996.html" target="_blank">here</a>, <a href="https://remoteoutposts.blogspot.com/2013/02/the-grumpies-barn-demos-tape-1998.html" target="_blank">here</a> and <a href="https://remoteoutposts.blogspot.com/2012/04/grumpies-aborted-demo-tape-1996.html" target="_blank">here</a> so I will spare you. The two songs on this tape are from their original demo, which I loved so much that I jumped at the chance to be their drummer when the original one quit.<br />
SWEATER PUNKS were another Huntsville band and their inclusion here is a mystery to me. I don't remember ever seeing them when I lived in town, but their guitarist Seth was always a solid fixture in bands so I probably trusted this new band of his to be good. My friend Jack (also from AL) did some minor detective work (meaning he asked Seth) and came up with this info: The band only recorded once when Jack went over to try out for the band on drums. So, that's him on this recording. The rest of the band was Seth on guitar and vocals and Greg (not me) on bass. This recording never got vocals put onto it, but the song on here was intended as an instrumental. Later, Joey from the 3D's heard this song and asked Seth to join the band. They re-recorded this song as "Spontaneous Human Combustion". Thanks to Jack and Seth for the info!<br />
THE CRIMINALS were from Oakland / Berkeley and they recorded an exclusive version of their song at Gilman. That's all I'm gonna say because why do you need to know more info about posers?<br />
JOEY TAMPON AND THE TOXIC SHOCKS was my old band There is more info about the band <a href="https://remoteoutposts.blogspot.com/2011/12/various-artists-fuck-east-bay-this-is.html" target="_blank">here</a>.<br />
WHITE TRASH SUPERMAN wrote the best punk song of the 90's and I asked if I could put it on this tape. They said yes. You can and should find more info about them <a href="https://remoteoutposts.blogspot.com/2013/02/white-trash-superman-tape-1994.html" target="_blank">here</a> and <a href="https://remoteoutposts.blogspot.com/2018/04/white-trash-superman-rough-mixes-tape.html" target="_blank">here</a>.<br />
THE RICKETS were from Olympia, WA and were maybe the only spikey drunk punk band at that point in the town's history. While everyone else was concentrating on twee pop, minimalist punk and feigning pre-teen innocence even though they were pushing 30, THE RICKETS sang about getting drunk, hating their job, destroying Olympia and getting drunk again. Here. they contribute a song about my friend Janelle because it was the 90's and that's what bands did for some dumb reason.<br />
CHICKENHEAD was a drunken, chaotic machine. This is the last song they ever recorded on the day they broke up. You can find more info about them <a href="https://remoteoutposts.blogspot.com/2012/02/chickenhead-los-canadians-split-cd-2002.html" target="_blank">here</a>.<br />
That;s it. Enjoy or don't.<br />
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<a href="https://archive.org/download/VariousArtistsRiceHarvesterZineComp/Various%20Artists%20-%20Rice%20Harvester%20Zine%20Comp.zip" target="_blank">DOWNLOAD IT</a></div>
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Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com1tag:blogger.com,1999:blog-6975467493408447095.post-7461359706217934822018-08-28T15:32:00.000-07:002018-08-28T15:32:14.827-07:00DECATUR! - City Limit - EP - 1995<div class="separator" style="clear: both; text-align: center;">
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Ever since receiving the excellent LP "I've Got the Bible Belt Around My Throat", I've been on a bit of a tear though music from my home state of Alabama. The record is a document of Alabama punk and it is an excellent collection of early punk and hardcore from all over the state. If you see it, definitely pick the record up. It had me going back through recordings by GNP, THE KNOCKABOUTS, THE JAWAS and so many more. One of the bands that never seemed to get any recognition at all anywhere, ever (except one other blog and now, here) was DECATUR! Decatur is a town in north Alabama that is barely a blip on the map and this band was from there, singing songs about their town and their friends. Their theme song has always been my favorite and is so bouncy and fun. I love it when bands sing about where they're from and name specific locations. With lines like "where Randy's mom runs cheap hotels, where all of my friends end up in jail, Decatur!!", you can't really lose. Once, I was listening to this at the punk house I lived at in Huntsville, AL. My roommate walked in during the line "Carl Stratman was our biggest fan, we owe him one because he let us use his guitar" and then my roommate said "Oh, hey, I bought that guitar off of Carl Stratman" and pointed out a beaten up guitar in the corner. My mind was kinda blown.<br />
This isn't going to mean a lot to a lot of people who download it, but I think it's definitely worth your time. It's a product of the 90's and there are some clear cut nods towards SUPERCHUNK and that era of pop-punk. Here's what Heath, their singer / guitarist had to say about the band (taken from the now-defunct blog Nostalgia Isn't What it Used to Be...<br />
<i>All four of us grew up in Decatur. Then, all four of us went to Auburn (not because of the band. just coincidentally.) When we formed the band, since we were all from Decatur, we thought it would be funny to name the band that. We put an exclamation mark on the name to differentiate ourselves from the town. :) But yeah, your assumptions were pretty much dead on. All of the songs were about Decatur, and more specifically, about the dynamic between the two high schools. Rob, Eric, and I went to Decatur High, and Lisa went to Austin (we had a song that most Decatur people would get called "I Don't Work at the Rockin' McDonalds and You Don't Hang Out at Morningside" talking about it). It was all supposed to be goofy, and we were definitely a part of the early Green Day, Jawbreaker, Superchunk-influenced bands. The 7" doesn't really give a good cross-section of our style or our sound really, but it is what it is. We were a band from Oct. '94 to Oct. 31,1995, when we played our last show ever at the 40 Watt in Athens, GA, opening for our friends from Auburn, Man or Astroman.</i><div>
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<i><a href="https://archive.org/download/DecaturEP/Decatur%21%20EP.zip" target="_blank">DOWNLOAD</a></i></div>
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Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com1tag:blogger.com,1999:blog-6975467493408447095.post-58162077977029595472018-04-24T20:19:00.000-07:002018-04-24T21:19:25.850-07:00ARROTZAK - Tape - 2016<div class="separator" style="clear: both; text-align: center;">
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Upon arriving for our last show of tour in Zarautz in the Basque Country a couple of weeks ago, our band was tired, kinda sick and frazzled. After playing close to 30 something shows, mostly in a row with only 2 days off, it's a little hard to feel excited about another punk show.....but we were and the Basque punks did not disappoint. Our host Juanma told us that the venue would have dinner ready for us in a few minutes, but if we ate then, we would miss the first band and something about his tone helped convince me that we would be making a huge mistake by doing that. (sidenote for punks from the states: If you've never toured Europe, every venue, every squat feeds you dinner before your show and this simple act makes such a huge difference in the day to day brain decay of tour. The US could learn a thing or 5 from punks there) So, we held off on dinner and I'm glad we did. When ARROTZAK played their first song, something was off. It didn't feel right. I was starting to doubt Juanma, but the members of the band adjusted the amps, moved a drum or two and -- BAM -- way better! They played the kind of punk that I'm sick of describing...the kind of punk that you can't make sound good on paper (or a screen) but still sounds so good when it's done right in front of you. Melodic and gutsy and wonderful.<br />
When they finished their set, our band ran upstairs to scarf our food and get back into the show before <a href="https://managaitz.bandcamp.com/releases" target="_blank">MANAGAITZ</a> played their first song, who were also great.<br />
This ARROTZAK tape is a couple of years old and features a different singer (and maybe even a different drummer). The live set was better, even though this tape is great but I hope they record some newer stuff soon.<br />
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<a href="https://arrotzak.bandcamp.com/" target="_blank">DOWNLOAD</a></div>
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Yes, someone made matchbooks for our show. </div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com3tag:blogger.com,1999:blog-6975467493408447095.post-53653297673258977462018-04-19T18:40:00.001-07:002018-04-19T18:40:56.403-07:00WHITE TRASH SUPERMAN - Rough Mixes - Tape - 1994<div class="separator" style="clear: both; text-align: center;">
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Just how many times can one write about a forgotten band from the 90's and still pass themselves off as a sane individual? I gave up on passing myself off as that at least 20 years ago, so who cares? Recently, my old friend Jack unearthed this recording and digitized it to share with me. He said that the tape just had "Marsh" written on it in sharpie (Marsh played guitar in WTS). Jack thinks that this tape was mailed to him by the band when they were trying to get shows in Alabama back in the early 90's. When I played the first song, I immediately recognized it as "Clock" off of the band's self-released cassette from 1994, but it sounded different. I soon realized that it was maybe a demo version and then I got goddamn giddy as fuck when I found that this version didn't fade out like the "official" version and went on for another 2 minutes and included an extended chorus!! No really, I was jumping up and down in my room like a teenager when they did the extended chorus. It was so ridiculous that I laughed at myself. </div>
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Next up is "Wheaties" from their two song 7" and I'm pretty sure it's the same version. After that is the unfuckwithable "Couldn't If I Tried", which contains the exact same musical track with a slightly different vocal take. It doesn't diminish from the greatness of this song at all. Many well respected punks-of-a-certain-era of the 90's have named this song as the best punk song from the 90's and I will not dispute that. The tape ends with "Can Man", which has an almost identical bass line as "Wheaties" and I've never understood that. I think this might be a slightly different take than the "official" version but I can't really tell.</div>
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I understand that I didn't tell you anything about what they sound like, but I've just talked about this band a lot and I love them and I'll let you figure out the details. You can read more about them <a href="https://remoteoutposts.blogspot.com/2013/02/white-trash-superman-tape-1994.html" target="_blank">here</a>. </div>
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<a href="https://archive.org/download/WhiteTrashSupermanRoughMix/White%20Trash%20Superman%20rough%20mix.zip" target="_blank">DOWNLOAD</a></div>
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I have not been updating the blog much in the last year, but I intend to change that. I just went on tour throughout Europe and talking to people in person in places like Greece, Basque Country, Serbia and Poland (among many other locales) helped me remember what a large impact music has on people's lives. People had really thoughtful and interesting things to say about the music on here. Knowing that someone far, far away from me is listening to my friend's band from 1994 who didn't have the resources to make more than 10 tapes is a really incredible thing. </div>
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And as long as I'm here, I wrote a zine about the 1979 Portland punk band Ice 9, which includes interviews with 2 members of the band. You can order it directly from me at <a href="http://remoteoutposts.bigcartel.com/" target="_blank">Remote Outposts</a>. </div>
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Thanks to the people who continue to support this blog, near and far. I hope you're still finding things that you enjoy. And I hope White Trash Superman doesn't take me to the people's court. </div>
<br />Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com3tag:blogger.com,1999:blog-6975467493408447095.post-3987986296707295492017-11-21T10:26:00.000-08:002017-11-21T10:26:40.977-08:00FRED COLE MEMORIAL RADIO SHOW<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi75LhWz4TwIZPxk_q0Rj8cTWuo9zSLQuRVRrNuBIp3PkRl0MXcRRmhDzmEnzlg0_qUjPVAOc7CaOwOZefBTOWAl4WFwKQ_Yd30F_nasI0puJfBGWvI8DtNbXIZbGUmRpdQoZENoGtZMz8/s1600/DEAD_MOON_Band_live2.tif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1147" data-original-width="1600" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi75LhWz4TwIZPxk_q0Rj8cTWuo9zSLQuRVRrNuBIp3PkRl0MXcRRmhDzmEnzlg0_qUjPVAOc7CaOwOZefBTOWAl4WFwKQ_Yd30F_nasI0puJfBGWvI8DtNbXIZbGUmRpdQoZENoGtZMz8/s320/DEAD_MOON_Band_live2.tif" width="320" /></a></div>
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<i>"I'm still nervous,</i></div>
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<i>I ain't been broken,</i></div>
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<i>I'm still churnin' and burnin' inside</i></div>
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<i>and I can't stop smokin'</i></div>
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<i>I'm pissed off, pissed off, pissed off</i></div>
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<i>It's just the way I am"</i></div>
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I don't believe in heroes or idols, but if I did, Fred Cole would be the closest thing I would have. Of the few times I hung out with the guy, I can tell you that he is the real deal. He cut his own masters for his records at his house on a lathe machine that was used for the KINGSMEN'S "Louie Louie". Also, he built that house out of salvaged material. When the music industry failed him, he just became more independent and did his own thing until they came looking for him. I once drank pints of Jagermeister with him and then he got in a van at 2 am and drove to Ohio. He got a tattoo of his own band on his fucking face. Along with his wife Toody and his friend Andrew, he co-fronted the best band ever and played some of the most magical, cathartic shows I've ever seen in my life. As a rule that has not failed me at any point in my life....<br />
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<b>I DO NOT TRUST PEOPLE WHO DON'T LIKE DEAD MOON</b></div>
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<b> </b>It's simple, it's real and it works. The discography of Fred Cole acts as it's own story that I don't need to tell you. Seeing Fred Cole play live in any setting also told it's own story. As Fred and Toody got older, every show became more special and had so much nuance. At solo shows, Fred would slyly tap the mic stand to act as Andrew's missing snare hits and look up. He would sing a sweet line about Toody and quickly tap his boot against hers. After 50 years of marriage and at least 30 years of hearing these same lines in songs, you could still catch Toody trying to stifle a smile as it leaked out the side of her mouth. I don't know what I can say that you're not gonna read or hear anywhere else, but Fred was real and magic. I try not to be sad about it, because death is part of this deal with life and he lived a good one. He left behind a whole catalog of music that we can all enjoy for the rest of our days here. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuYD9lPROsMSurrF0J4GieAt8wPVY8cZzeyxQS6rIl-29ToRfO4Bjh8l7Y0YMGwzU5FqRi4Z96a6HJnSFpH2_354k0pT3vd9i2HrizpuY3jPQaOYipSNAnZK_OLSMetxnRWqenTAwQBfM/s1600/deadmoonnight.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="861" data-original-width="1280" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuYD9lPROsMSurrF0J4GieAt8wPVY8cZzeyxQS6rIl-29ToRfO4Bjh8l7Y0YMGwzU5FqRi4Z96a6HJnSFpH2_354k0pT3vd9i2HrizpuY3jPQaOYipSNAnZK_OLSMetxnRWqenTAwQBfM/s320/deadmoonnight.jpg" width="320" /></a></div>
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DEAD MOON with Daun, Shannon and me.</div>
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I co-hosted this 2 part radio show on Maximum Rocknroll with my friend Alex, two days after Fred passed away. Part one is a scratching of the surface of his career...everything I could find besides DEAD MOON. If you keep digging deeper, you'll find so much to hang onto. Part 2 is nothing but DEAD MOON for over an hour....a lot of their "hits" and a lot of deep cuts. Please enjoy.</div>
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<a href="http://www.maximumrocknroll.com/mrr-radio-1583-5-1/" target="_blank">Fred Cole Radio Special Part One</a></div>
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<a href="http://www.maximumrocknroll.com/mrr-radio-1583-5-2/" target="_blank">Fred Cole Radio Special Part Two</a></div>
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<i>It's like a broken smile</i></div>
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<i>A step apart that gives you style</i></div>
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<i>It doesn't need explaining </i></div>
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<i>You know it's fall when it starts raining</i></div>
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<i>It's just the way it is.</i></div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com2tag:blogger.com,1999:blog-6975467493408447095.post-89703607917205992552017-09-22T11:16:00.001-07:002017-09-22T11:17:35.145-07:00APPARITION - Demo - Tape - 2017<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnJMDuQ7wF6P1aXfchcXlStCBFFqJsajEwJOrfl5rw8alzR81nV6OKfeVBq7kife68JmsH6DLlJMs40iPy3pRFuBd17EEtq5JpEWBWOgF5QT3L23uizPH1I0zhoEvoeDp0nOAGrAa_-wg/s1600/app.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1152" data-original-width="866" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnJMDuQ7wF6P1aXfchcXlStCBFFqJsajEwJOrfl5rw8alzR81nV6OKfeVBq7kife68JmsH6DLlJMs40iPy3pRFuBd17EEtq5JpEWBWOgF5QT3L23uizPH1I0zhoEvoeDp0nOAGrAa_-wg/s320/app.jpeg" width="240" /></a></div>
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There's a floppy haired maniac who lives in Athens, GA and I've known him since our bands crossed paths in 1995. Every time any of his bands puts out a new thing, he gets in touch so he can send it to me and every time, it's exactly what I need in my life at that moment. APPARITION is no different. Full throttle, no fucking around, insane, throw-everything-down-the-stairs-over-and-over-and-watch-it-break style hardcore!! Shit is dark. The perfect soundtrack for consuming the everlasting horror that is our daily lives.<br />
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<i>Every breath that I take </i></div>
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<i>Of this planet's stupid air</i></div>
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<i>Makes me nauseous.</i></div>
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<a href="https://apparitionathens.bandcamp.com/releases" target="_blank">DOWNLOAD IT FROM THEM, TURKEYS.</a></div>
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I don't update this site often now because I think writing about music so much has kept me from actually feeling the music. You know what I mean? </div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com11tag:blogger.com,1999:blog-6975467493408447095.post-83563746000186619822017-07-28T21:16:00.002-07:002017-07-28T21:16:59.960-07:00JOKE - "Joke For USA" - Tape - 1993<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMZbLkiCRgTXPSuiNGxc-4WK9gnH3UHh4PDAOVliYceFFgTbnoQE2UsTe5AIq392RQPaAL1vvZwGttL14r5uUEX99RnEaNd6scjrOp4qpiIc1-4Ffz8EspqirywzncmmVWcynEmMOtNRI/s1600/joke.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="791" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMZbLkiCRgTXPSuiNGxc-4WK9gnH3UHh4PDAOVliYceFFgTbnoQE2UsTe5AIq392RQPaAL1vvZwGttL14r5uUEX99RnEaNd6scjrOp4qpiIc1-4Ffz8EspqirywzncmmVWcynEmMOtNRI/s320/joke.jpg" width="242" /></a></div>
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Bands like to bill themselves as "inept", but then you hear their tape (bandcamp/8 track/cloud shitter) and they seem to keep it together. It seems like they know how to play real chords. Maybe their drummer can clumsily make their way through a basic time signature for the entirety of a 45 second song. Maybe their drummer <i>even has a drum set!! </i>Alabama's JOKE is clearly inept. and can barely cover any of these bases and that is why I love them. They didn't even know how to play the right chords to their cover of FANG's "The Money Will Roll Right In". Hell, they didn't even know how to approach RORSHACH's "Clenching" (much less spell their name right), so they just made up their own music and sang RORSHACH's lyrics over it. Their original songs are an utter train wreck. Don't have a drum set? Take an old person's walker, duct tape some cowbells and metal to it and hit it with a stick. Don't know how to record your band? Get a cassette at K Mart or tape over your grandpa's sermon on a broken boombox. Play anywhere. Don't follow the script.<br />
JOKE split their time between Madison and Huntsville, AL in 1993. They consisted of Freud Reia on guitar/vocals and Joey Tampon on drums/vocals. They lasted long enough but not that long. That's about all I know. Joey went on to play in THE SLACKERS, JOEY TAMPON AND THE TOXIC SHOCKS, THE 3D'S, THE RADIOACTIVES and more. Freud later played in THE PERFECT HUMAN EXAMPLE and THE CRIMINALS.<br />
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<a href="https://archive.org/details/Joke-Joke-For-USA-cassette-Huntsville-AL-1993-punk/Joke-For-USA-1993-Track-10-Clenching.wav" target="_blank">DOWNLOAD</a></div>
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<a href="https://www.discogs.com/Joke-Joke-For-USA/release/10524868" target="_blank">Their very own Discogs page</a></div>
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Thanks to Jack Saturn for holding onto this tape, digitizing it and sending it over.</div>
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RIP Freud Reia</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Bq7YM3g58_bRUyBw1DO43kPGmis0FbwSxxpvaUgm7AM0Yc1HR9Q1cGc9I3-HGRPcJHspFigZF3Qi1lZ8grPmSFW5zXtXtpH6mo3QRNnev4qQHQyq9rTRZig0YSM5cgT648FLPxJkNKo/s1600/fre.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="706" data-original-width="460" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Bq7YM3g58_bRUyBw1DO43kPGmis0FbwSxxpvaUgm7AM0Yc1HR9Q1cGc9I3-HGRPcJHspFigZF3Qi1lZ8grPmSFW5zXtXtpH6mo3QRNnev4qQHQyq9rTRZig0YSM5cgT648FLPxJkNKo/s320/fre.jpg" width="208" /></a></div>
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Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com6tag:blogger.com,1999:blog-6975467493408447095.post-36005348607427610022017-06-13T09:17:00.000-07:002017-06-13T09:46:47.987-07:00PINECONE PEOPLE - Tape - 2001<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUFyqPjk0OAFvoEHlp4u5tHdaAKG8OY_-SXGxMQSBopuFWFGJ6vFmewenMhHl7yxXiB3UsM6X4UX09jPBwjOWOblOrdAIhoATH5HHaa6WwncYY-_wKvfZ8S0XPNjZMdGeEWsAf9Bi5WI8/s1600/cover2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1012" data-original-width="876" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUFyqPjk0OAFvoEHlp4u5tHdaAKG8OY_-SXGxMQSBopuFWFGJ6vFmewenMhHl7yxXiB3UsM6X4UX09jPBwjOWOblOrdAIhoATH5HHaa6WwncYY-_wKvfZ8S0XPNjZMdGeEWsAf9Bi5WI8/s320/cover2.jpg" width="276" /></a></div>
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Sometimes, the tape is just there and you have no information. You listen to the tape over and over and over, but still wonder if the people listed on the cover <i>actually </i>made the music presented on the cassette that you hold in your hands. I still don't know. When you're a teenager, music comes around pretty often that blows your mind wide open. As you get older, it still happens but not as often. I sat on a beach once, well into my thirties, and watched people involved with this project play music that truly melted my mind in a way that I hadn't felt in ages. This tape isn't in that realm, but it hints at the possibilities contained within the players presented here....if it's really them.<br />
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<a href="https://archive.org/download/PineconePeople/Pinecone%20People.zip" target="_blank">DOWNLOAD</a></div>
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Members of ROTTEN LIVING, COUNTY Z and MOTHER OF FIRE.</div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com3tag:blogger.com,1999:blog-6975467493408447095.post-11445034363442818902017-03-17T09:16:00.000-07:002017-03-17T09:28:37.560-07:00BEER GARDEN - Complete Discography - 2002-2003<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj81eFBEZTsVRw_Q6vxMSMVKu5UplD9u78OoSXVTfaa7dhfRX6OYoU29SRyUNhcoGB1o4jGRFh7DrlSQNsXlngucaYsjsJVhOvGK4G5wwfN0CAQtaahJOwTL2ALqo6mSn3tE09kPPj8cnE/s1600/cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj81eFBEZTsVRw_Q6vxMSMVKu5UplD9u78OoSXVTfaa7dhfRX6OYoU29SRyUNhcoGB1o4jGRFh7DrlSQNsXlngucaYsjsJVhOvGK4G5wwfN0CAQtaahJOwTL2ALqo6mSn3tE09kPPj8cnE/s320/cover.jpg" width="320" /></a></div>
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<i>Today's post is brought to you by Gaylen, who sang for the raging Brooklyn punk band, BEER GARDEN back in 2002. She sent over the tracks for their first demo to be posted for the birthday (today) of their late guitarist Dan. I decided to include their CD and a comp track as well to round out the discography. Thanks to Gaylen, Ella, Bobby and Dan for making all of this music. Here's Gaybob to tell you the rest. </i></div>
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Last year I called Dan on his birthday. the same number he's had since I met him in 7th grade. He was my brother's friend so I instantly hated him by association, but he was so fucking funny that it quickly dissipated. Dan was honest and brutal in his humor. We threw him a benefit show when we found about the ALS diagnosis, and it was like a NYC punk high school dropout reunion. People I hadn't seen in years came out of nowhere. Dan brought people together across social circles and music scenes. He got on the mic at one point,<br />
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“I went to the doctor today. He told me.... I'm still alive”. </div>
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That's Dan. Raw, honest, funny, and not giving a shit about how you might feel about it. He didn't want anyone to feel bad for him, to talk about him or memorialize his life like he was already dead.
We were kids from Brooklyn before Brooklyn was hip. We would talk on the phone, long shit talking sessions, on landlines, the age before cellphones. We'd meet up in the “city”, sit on park benches, by the river, wherever we could find to go with no money. Drink on stoops and sneak into parties. My nostalgia for this time, this long gone city, is so intertwined with Dan, our friendship and our band, Beer Garden.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5pc4bPbhPTU-0YFAqP6oO2jWRojg1eCsxzT_v6G1C016QEnEKRmEuU9bPJZiIRKRYRBAoraG-2DBx9m-IFhWBdap1oSDzzt-QD-nGnpaVrcMMmxzwmublgyvHIPvjPtvr75iGtZQzktg/s1600/beer+garden1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5pc4bPbhPTU-0YFAqP6oO2jWRojg1eCsxzT_v6G1C016QEnEKRmEuU9bPJZiIRKRYRBAoraG-2DBx9m-IFhWBdap1oSDzzt-QD-nGnpaVrcMMmxzwmublgyvHIPvjPtvr75iGtZQzktg/s320/beer+garden1.jpg" width="320" /></a></div>
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<i>Dan, taken by drummer Bobby before leaving on the Lazer / Beer Garden tour.</i></div>
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Beer Garden was based out of the backyard of ABC no Rio, where we hung out, nearly every Saturday, drinking, fighting, dancing and being wild teenagers. We had all been in a few bands before, but didn't have a rigid concept of what a band should be. It was still exciting. Our shows often erupted into impromptu dance parties, Dan free styling over Ella's bass lines. After the shows, outside, Dan would sing acapella, and his voice blew everyone away. We went out on tour with <a href="https://remoteoutposts.blogspot.com/2016/01/the-lazerscent-of-human-history-split.html" target="_blank">The Lazer</a> after being a band for about a year. We were so ignorant of people and bands around the country. I remember being in awe that there were other fuckups and weirdos, like us, and sharing that with Dan. He listened to music constantly on that tour...to stay sane.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitFIN5KrvUu5wHKLlKHUgGw-CTw7QsRyLxcQcJYMxQ89-0RF7CoNYX7FqX4FODQC13whtgHwexNvwpzIeqzkifd6tzfdgOc9mV1lhkuytWxSWuAxRR87YuVhXusqLyJ4ZmdVExxY1IOT0/s1600/beer+garden2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitFIN5KrvUu5wHKLlKHUgGw-CTw7QsRyLxcQcJYMxQ89-0RF7CoNYX7FqX4FODQC13whtgHwexNvwpzIeqzkifd6tzfdgOc9mV1lhkuytWxSWuAxRR87YuVhXusqLyJ4ZmdVExxY1IOT0/s320/beer+garden2.jpg" width="320" /></a></div>
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Thanks to Rudi for saving this recording, our first demo. The lyrics feel embarrassing, but I think the guitar playing is classic Dan. Straight forward and solid. A lot of people turn up really loud when they play and drown everything out. Dan never did that. We usually didn't have equipment for shows so the sound was always reliant on what we could borrow but his playing was so solid. He had said he wanted to be remembered as a guitar player. So here it is.There's so more to say but it all comes out wrong.
Dan was out getting tattooed when I called on his birthday. I left him a message. It's still hard to believe I can't call him this year.<br />
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Happy birthday Dan. We miss you.
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<a href="https://archive.org/download/BEERGARDENDiscography/BEER%20GARDEN%20-%20Discography.zip" target="_blank">DOWNLOAD</a><br />
Includes their demo, "Coming After You" CD and a compilation track. </div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com5tag:blogger.com,1999:blog-6975467493408447095.post-17965739099933795552017-03-01T15:28:00.002-08:002017-03-02T17:12:57.059-08:00SPECTOR PROTECTOR - Demo - Tape - 2002<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs1dxvRgNSyDNR8mkkOA-sLIH-mhzbVgFYBC-yZyDK8vEPAPWnL85sKjkMBzTL8Y6AqmOugKBKmlcs9QfGbKM6DeFBEdFFAq4u6H7zYMfDarkJz9-G511pAkXcY5FafSwn3SxEd-bhTZ8/s1600/cover.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs1dxvRgNSyDNR8mkkOA-sLIH-mhzbVgFYBC-yZyDK8vEPAPWnL85sKjkMBzTL8Y6AqmOugKBKmlcs9QfGbKM6DeFBEdFFAq4u6H7zYMfDarkJz9-G511pAkXcY5FafSwn3SxEd-bhTZ8/s320/cover.jpeg" width="271" /></a></div>
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Imagine, if you will, a San Francisco between booms. The year is 2002. Friends are squatting buildings on Market Street. Punks Against War pulled a float down Mission Street to protest the war while SHOTWELL played on the flatbed trailer. Phil'z was still a corner store that sold beer and vegetables and was not a world renowned, one-cup-at-a-time coffee tastemaker. Right around the corner from Phil'z, near the corner of 24th and Shotwell, SPECTOR PROTECTOR was writing their first songs in the drafty backroom of a first floor flat. Our paths crossed a little bit, but they were part of the scene of synth, darkwave and goth that I only flirted with on the periphery. Sometimes, my band would play on the streets or in record stores with their contemporaries (THE VANISHING, VERONICA LIPGLOSS & EVIL EYES, PHANTOM LIMBS), but that's about as close as we got, besides sleeping on their couch and talking over coffee in the morning.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHO1Cb9EeJd2JoGoho-yrtx_J3iFnvx5NlaD9yiFs1Ybk3RMiHWPL3RjoTJT52mPNCHc-k6luR9RuLJc_dArj0iSLSBCnGRX2KIIcnU1YrOJMVvFZxPQ9bXEIx5shdiVKeJ3tmu4N6iyE/s1600/spector+protector.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHO1Cb9EeJd2JoGoho-yrtx_J3iFnvx5NlaD9yiFs1Ybk3RMiHWPL3RjoTJT52mPNCHc-k6luR9RuLJc_dArj0iSLSBCnGRX2KIIcnU1YrOJMVvFZxPQ9bXEIx5shdiVKeJ3tmu4N6iyE/s320/spector+protector.jpg" width="320" /></a></div>
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On this first tape, SPECTOR PROTECTOR plays minimal bedroom synth, punctuated by light guitars and some singing. The effects are chill and throbbing. The same could not always be said for their live performances....they were more chaotic and decidedly unchill. Download and enjoy.<br />
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<a href="https://archive.org/download/SpectorProtectorDemo/Spector%20Protector%20-%20Demo.zip" target="_blank">DOWNLOAD</a></div>
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<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/44l1s7gqk_g" width="560"></iframe></div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com2tag:blogger.com,1999:blog-6975467493408447095.post-524321515432246682017-02-22T19:42:00.001-08:002017-02-22T23:46:54.239-08:00PEDRO SAYS HI - "The Creep Over" - Tape - 2011<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYExK-SWq2P0d1IRHFdvxSQ2YtnBzsSfyk6UI4KLrCKVzjsEo4T-2j3Nos8H1DFLDTnLFT5IcTmgMR7iQ4L3zj5qfrGgnNxxJaTrrX2SF-THJtUU1HmG_b9T-bpOKmvrAogDxTBjK2xX0/s1600/cover.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYExK-SWq2P0d1IRHFdvxSQ2YtnBzsSfyk6UI4KLrCKVzjsEo4T-2j3Nos8H1DFLDTnLFT5IcTmgMR7iQ4L3zj5qfrGgnNxxJaTrrX2SF-THJtUU1HmG_b9T-bpOKmvrAogDxTBjK2xX0/s320/cover.jpeg" width="244" /></a></div>
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<span style="font-family: inherit;"><i>Once I was terrorized by everything</i></span></div>
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<span style="font-family: inherit;"><i>But now I don't fear anything</i></span></div>
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<span style="font-family: inherit;"><i><br /></i></span></div>
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<span style="font-family: inherit;"><i> </i>The <a href="https://remoteoutposts.blogspot.com/2014/04/pedro-says-hi-live-at-sweet-hickory.html" target="_blank">last time</a> I wrote about PEDRO SAYS HI, this tape had been recorded but didn't exist. I wasn't sure if it ever would exist, but now it's been out for a few years. I basically said everything I could say about the band in that previous post, besides that I feel a weird eternal bond with this band and the people associated with it through trauma and just plain weird-ass living. </span></div>
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<span style="font-family: inherit;"> We still don't talk about the hard parts of this band or the all of the terrible shit that happened (in print anyway) because <i>what we do is actually secret </i>and well, it's still fucking hard. You can never tell the whole story because sometimes, it's not your story to tell. I can say that I will always feel privileged to have spent any amount of time playing music with this stellar group of fine human beings. </span><br />
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<span style="font-family: inherit;"><i>I saw Hell</i></span></div>
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<span style="font-family: inherit;"><i>And it was beautiful</i></span></div>
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<span style="font-family: inherit;"><i>So just breathe in the fumes</i></span></div>
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<span style="font-family: inherit;"><i>And suck on the doom</i></span></div>
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<i>And learn to enjoy </i></div>
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<i>This eternal pain</i></div>
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<span style="font-family: inherit;"> Leah (our guitarist) recorded this tape in 2011 in Chattanooga, 4 years after the demise of the band and 7 hours away from where we originally lived. Crab Jackson (vocals / guitar) couldn't put vocals on it until much later and it didn't get mixed and released until 2014. <a href="http://www.letspretendrecords.com/store/lpr-126-pedro-says-hi-the-creep-over" target="_blank">Let's Pretend </a> was bold enough to release a tape by a band who had broken up 7 years prior and had no plans of ever reforming (follow that link to buy a tape). Thanks to the 40-75 people who ever saw us and the 15-20 people who cared about it. We're gonna come back and murder you all. </span></div>
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<span style="font-family: inherit;"><i>Open your mind and let the pain crawl in</i></span></div>
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<span style="font-family: inherit;"><i>Open your mouth and watch the fun dissipate</i></span></div>
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<span style="font-family: inherit;"><i>Open your eyes you'll see your friends walking away</i></span></div>
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<span style="font-family: inherit;"><i>Open your heart and let the pain crawl in</i></span></div>
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<span style="font-family: inherit;"><i><br /></i></span></div>
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<span style="font-family: inherit;"><i><a href="https://archive.org/download/PedroSaysHi/Pedro%20Says%20Hi.zip" target="_blank">DOWNLOAD</a></i></span></div>
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<span style="font-family: inherit;">Members of GIANT BAGS OF WEED, JON BENET SASQUATCH, PUPPY VS DYSLEXIA, GOURMET SCUM, TWAT SAUCE, NEON PISS, SPASM LAKE, SILENT ERA and many more. </span></div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com2tag:blogger.com,1999:blog-6975467493408447095.post-679084958190969882017-01-04T09:53:00.000-08:002017-01-04T10:06:36.895-08:00SHITTY DARKNESS - Demo - CD-R - 2011<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwOmyWIAFdiYDh_YUJ0yjjt_yn565bu38T0GkgT9RQp7y1o9EXfF5SLi0qSXAxR0nkh6zRFH5D8VfhJtim_VACtlTroDY2NHMakixKhYaQSdtv2VkC9vuEyHt9vvjZDvtAKCbemNFZdRI/s1600/a+cd.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwOmyWIAFdiYDh_YUJ0yjjt_yn565bu38T0GkgT9RQp7y1o9EXfF5SLi0qSXAxR0nkh6zRFH5D8VfhJtim_VACtlTroDY2NHMakixKhYaQSdtv2VkC9vuEyHt9vvjZDvtAKCbemNFZdRI/s320/a+cd.jpeg" width="316" /></a></div>
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These stupid little CD-R's are not built to last and I found this one rolling around in the bottom of a filing cabinet, all scratched up but still playing perfectly. SHITTY DARKNESS barely caused a blip during a brief tenure in their hometown of Athens, GA, serving as a pit stop between the bands <a href="https://remoteoutposts.blogspot.com/2011/11/carrie-nations-live-2004.html" target="_blank">CARRIE</a> <a href="https://remoteoutposts.blogspot.com/2012/01/carrie-nations-demo-2002.html" target="_blank">NATIONS</a> and <a href="https://remoteoutposts.blogspot.com/2011/12/wade-boggs-tow-truck-lp-2011.html" target="_blank">WADE BOGGS</a>. Ian wrote these songs after (and during) the demise of CARRIE NATIONS and brought them to his new band PILLOWFORT, which maybe kinda morphed into SHITTY DARKNESS. They recorded this demo and then (I think) Ian broke the band up, only to have all (or most) of these songs reappear as WADE BOGGS songs a short time later.<br />
But if we get past hazy facts and just get into emotion, these songs are sooo catchy in their raw pop presentation. It reminds me of why I (and you) was up front at CARRIE NATIONS shows, screaming the words on the verge of tears. Put these songs on your stupid digital device, walk to the top of the tallest hill in your town while listening and see if you're not walking faster and feeling like a wet hundred dollar bill once "Senior Citizen" hits your ears. (If you don't have hills in your town, just walk downtown and glare at people until someone tells you to go away. If you don't have a downtown, walk into the field and scream these songs until your voice goes hoarse, even if you don't know the words). After all that, walk yourself over to Athens, GA and ask Ian what songs he's writing now. If he comes up empty handed, tell him the world needs his music now and always. (it's true, Ian.)<br />
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<a href="https://archive.org/download/ShittyDarkness/Shitty%20Darkness.zip" target="_blank">DOWNLOAD</a></div>
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If you need more music by this guy (you do), he was also one of the responsible parties for <a href="https://www.youtube.com/watch?v=l-hnpnUhErQ&index=1&list=PLaUXotDnCxpFg_g92Fh-IMDJ_Y6MakNpo" target="_blank">WELCOME HOME, NEMO</a>.<br />
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<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/CIfzrMZVwO4" width="560"></iframe></div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com1tag:blogger.com,1999:blog-6975467493408447095.post-21028898445981373532017-01-03T13:01:00.000-08:002017-01-03T13:01:23.077-08:00PATSY - "Alrite Ladies and Bitches, It's..." - Demo - Tape - 2014<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4MhX0BP-dS5-2j8-HiYSzAjfvKZcj_tzY-FgjHOWhRIU7oX03dKDSIm_xAe1bbn7oopQRqTZHRXNLDwRrq64Ipq0B82BmO1fbDRPX24ZWCIlCvnhqcX_ktjDRG7K_n_oiUq5MORa_CKE/s1600/cover.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4MhX0BP-dS5-2j8-HiYSzAjfvKZcj_tzY-FgjHOWhRIU7oX03dKDSIm_xAe1bbn7oopQRqTZHRXNLDwRrq64Ipq0B82BmO1fbDRPX24ZWCIlCvnhqcX_ktjDRG7K_n_oiUq5MORa_CKE/s320/cover.jpeg" width="210" /></a></div>
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There is a certain power in the simple punk riff when executed correctly, but it's up to the listener to decide what constitutes "correct", "simple" or even "punk". For me, I think of KLEENEX's <a href="https://www.youtube.com/watch?v=7dV2QWKZ7i8" target="_blank">"Hitch-Hike"</a>, DRILLER KILLERS <a href="https://www.youtube.com/watch?v=2rjSVlZwJeA" target="_blank">"Malibu is Burning"</a> or even BEAT HAPPENING's <a href="https://www.youtube.com/watch?v=xaIZsCYxAzQ" target="_blank">"Bewitched"</a>. Those are snapshots of my ideal of perfection. Simplicity. No overthinking. Direct and damaging, while maybe not intending it that way.<br />
PATSY, from New Orleans, gives me that same feeling when they hit the first notes of "Tuley 'Tude High". The tiny yelp just as the drums kick it clinch it for me. It's fun and fucked and dizzying, the way you (I) always want punk to be but so rarely is. I'm stoked on it, but not surprised since the same people responsible for these songs are also (partially) responsible for <a href="https://mysticinane.bandcamp.com/" target="_blank">MYSTIC INANE</a>, <a href="http://remoteoutposts.blogspot.com/2011/12/foreign-bodies-demo-tape-2009.html" target="_blank">FOREIGN BODIES</a>, <a href="http://remoteoutposts.blogspot.com/2012/10/displeasure-neanderthal-tape-2012.html" target="_blank">DISPLEASURE</a>, <a href="https://specialinterestno.bandcamp.com/releases" target="_blank">SPECIAL INTEREST</a> and a lot more.<br />
Every song sounds like a total pogo bounce, fun-ass party. A great escape for these grim times.<br />
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<a href="https://archive.org/download/PatsyDemo/Patsy%20-%20Demo.zip" target="_blank">DOWNLOAD</a></div>
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They put out a couple of 7"s. They're really good too. </div>
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Their<a href="https://itspatsy.bandcamp.com/" target="_blank"> Bandcamp</a> page. (I truly did not know that they cover the above KLEENEX song until I found this link. Whoa....)</div>
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<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/pUycyYXNBB0" width="560"></iframe></div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com1tag:blogger.com,1999:blog-6975467493408447095.post-10193928956805534652017-01-02T15:50:00.000-08:002017-01-02T15:50:01.450-08:00J CHURCH - "Four Track Demos" - Tape - 2011<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi296_TrvqjYg89SDeD4q7Tl0RbowN_7btFpzSzwddFBBjjYXib90VKLNRJtRudHfGWHdd058KfOSNNeJac7d-Ma3bXm6lAe25ShK888vpMksqEKA85jS05NLEfT94ONKnOzwtGNPxmQTo/s1600/cover.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi296_TrvqjYg89SDeD4q7Tl0RbowN_7btFpzSzwddFBBjjYXib90VKLNRJtRudHfGWHdd058KfOSNNeJac7d-Ma3bXm6lAe25ShK888vpMksqEKA85jS05NLEfT94ONKnOzwtGNPxmQTo/s320/cover.jpeg" width="320" /></a></div>
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Years ago, I posted a link on the blog to this tape on another site, but now it's not available, so I'm reposting it here. This is a collection of Lance Hahn's (r.i.p.) four track demos for J CHURCH songs that he was making before he passed away. J CHURCH was probably one of the most prolific pop-punk bands of all time, Just a cursory glance at their Discogs page tells me that they might have released 18 albums and over 50 ep's. I can't even begin to explain the impact that Lance and J CHURCH made on the world of DIY punk that will last until the end of time. I only hung out with the guy a few times and I <i>still </i>think about him when I walk the streets of my neighborhood, where he lived in the 90's. Every single time it rains and I'm on Mission Street, I get <a href="https://www.youtube.com/watch?v=_eZM_3J224g" target="_blank">"November"</a> stuck in my head...for days. That is an impact.<br />
This tape has some fully formed songs, some sketches of ideas, some instrumentals and some misfires. I read somewhere that Lance treated his four track like a notebook; a place to write down his ideas as they came to him and that's how I approach this tape. It's perfect in its imperfection. If you've never heard J CHURCH, maybe you should start somewhere else, but this is also a warm, inviting place to be.<br />
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<a href="https://archive.org/download/jchurchlostdemos/jchurchlostdemos.zip" target="_blank">DOWNLOAD</a></div>
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More information about this tape <a href="http://daviddidonato.blogspot.com/2011/11/some-hope-some-despair-lance-hahn-of-j.html" target="_blank">here</a></div>
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You can still order a physical copy of the tape <a href="http://tfultra.com/index.php?main_page=product_info&products_id=103" target="_blank">here</a>. .</div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com1tag:blogger.com,1999:blog-6975467493408447095.post-73430692575342022152016-12-05T19:17:00.002-08:002020-09-04T15:41:35.365-07:00TERRIBLES - "In Congrefs" - CD - 2008<div class="separator" style="clear: both; text-align: center;">
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As a vague testament to how shitty 2016 has been, I've only posted three things in the past three months and they've all been about dead friends. This one is no different. (FYI: <i>No one in TERRIBLES is dead)</i>.<br />
I'm sure you've already read the terrible news about the Ghost Ship fire in Oakland. I don't know if I can offer anything that hasn't already been said, but the outpouring of support from people in our community has been incredible. Most of the media and local government continues to get it so, so wrong...incredibly, frustratingly wrong and insensitive. What We Do Is Secret, but that statement hasn't actually been true for at least 20 years now, but people still can't seem to understand what the fuck we're doing (and yes, a lot what we do still is secret, actually).<br />
If you'd like to read articles about what is happening here, I would suggest these following things, because they're all good and these people took more time than I did to collect their thoughts.<br />
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<a href="https://ww2.kqed.org/arts/2016/12/04/it-could-have-been-any-one-of-us/" target="_blank">From KQED</a><br />
<a href="http://www.eastbayexpress.com/SevenDays/archives/2016/12/03/artists-at-last-nights-oakland-warehouse-fire-discuss-the-tragedy-those-missing-need-for-safe-underground-spaces" target="_blank">From East Bay Express</a><br />
<a href="http://www.huffingtonpost.com/entry/oaklands-burning-and-mayor-schaaf-fails-to-get-it_us_5843dd42e4b0b93e10f8e2ec?timestamp=1480892003047" target="_blank">From Huffington Post</a><br />
<a href="http://wearyourvoicemag.com/more/social-justice/housing-crisis-not-ravers-blame-oakland-fire" target="_blank">From We Are Your Voice</a><br />
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The article from KQED really hit home with me because this is a tragedy that could affect just about anyone who reads this blog. Let's do some quick math. There's been 550 posts on this blog. Let's say that's probably 500 different bands (estimate). Let's say that there's an estimated three to four people in each band and that equals roughly 2000 people. I'm willing to bet that nearly ALL of those 500 bands have played shows in venues (I use that term lightly) that are non-traditional and don't have the best exits or wiring. That's 2000 people who put themselves in danger just to have a good time or find their community or feel less alone in an increasingly harsh world. But also, many of these people put themselves in danger just by leaving the house every day. This danger exists because of expensive housing, shitty paychecks, no paychecks for seriously marginalized people, because some of us enjoy putting ourselves in danger and many other reasons.<br />
Ugh...I don't know what I'm trying to say. Fuck it. I hate it. I hate that this happened at all. I hate what the media is going to make it into and I hate what it's going to do to so many spaces across the globe that people hold so dear to their hearts. Our gathering spaces aren't equipped with fire exits, bouncers or good wiring. Our ideal spaces provide us with love, acceptance and open arms in a world that wishes that many of us would just go away.<br />
Take care of each other out there. It's not getting better right now.<br />
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<a href="https://archive.org/download/TerriblesInCongrefs/Terribles%20-%20In%20Congrefs.zip" target="_blank">DOWNLOAD </a></div>
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This TERRIBLES CD is really good. I've written about them many times and you can go find it somewhere else on the blog. </div>
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There's a phone number embedded in the 4th song and it's one of my favorite songs by them. </div>
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Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com1tag:blogger.com,1999:blog-6975467493408447095.post-42278432032895877992016-10-18T23:00:00.001-07:002023-07-13T12:00:18.637-07:00WET SPOTS - Tape - 2013<div class="separator" style="clear: both; text-align: center;">
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<i>This one is intended as a companion piece to <a href="http://remoteoutposts.blogspot.com/2016/09/the-young-men-huff-stuff-magazine-neon.html" target="_blank">this post</a></i></div>
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Barker was starting to wind up WET SPOTS around the same time that our band together was winding down and it was maybe more his speed. While our band seemed to act more and more serious, WET SPOTS liked to joke the fuck around and write seriously catchy songs. Barker wrote the guitar riffs and sang while Oscar and Janelle rounded out the rhythm section on bass and drums respectively. The results are seven excellent songs that help you remember that Barker had an unfuckwithable ear for melody.<br />
I remember when they were going to record these songs, I ran into Barker and he was excited because Darin from <a href="https://www.youtube.com/watch?v=S_LRPNVkBxY" target="_blank">SUPERCHARGER</a> was turning the knobs for them. I was excited too and we privately geeked the fuck out about it for a minute because we were both garage rock nerds at different points in our lives. I didn't even know the guy was still around, but the tape sounds fuckin' great, so he still knows what he's doing.<br />
When WET SPOTS went to play a few shows in Hawaii, I got super jealous, because I've always wanted to play there. Upon their return, I asked Barker how it went and he played it a little too cool..."Ahhh, it was fine. We played a show or two. The people were pretty nice." I ran into Janelle later and she gushed about it. "It was fucking fun! We hung out in the ocean a ton. Barker jumped off of a cliff!" Then, she showed me a ton of photos and every one of them looked like the best time ever!<br />
Download this stuff and play it loud. Enjoy Janelle's pounding drums, Oscar's smooth ass bass lines and a voice that should sound raspier knowing the amount of whiskey that has passed by those vocal cords.<br />
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<a href="https://archive.org/download/WetSpotsTape/Wet%20Spots%20-%20tape.zip" target="_blank">DOWNLOAD</a></div>
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Members of THE TOURETTES, PIZZASAURUS REX, ROCK N ROLL ADVENTURE KIDS, THE YOUNG MEN, HUFF STUFF MAGAZINE, PANTY RAID, THE MUNI MEN, LITTLE QUEENIE, THE GRIS GRIS, BABY JAIL, RINGERS and more and more and more.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHt_nu_N5TCly_BKn5cQihR7c9KIFQJb5yPH2JGeXEN3gQJ-8pzTjl7XTBQrSm7pO4sidiVA0jP1XTovXyYyUm6ifCgvo__w4OXdhQqp4zLqdsZaSiJtKAI9Z-6HjJBdbziIugKT3sNWU/s1600/Barkerjump.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHt_nu_N5TCly_BKn5cQihR7c9KIFQJb5yPH2JGeXEN3gQJ-8pzTjl7XTBQrSm7pO4sidiVA0jP1XTovXyYyUm6ifCgvo__w4OXdhQqp4zLqdsZaSiJtKAI9Z-6HjJBdbziIugKT3sNWU/s320/Barkerjump.jpg" width="320" /></a></div>
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Barker in Hawaii. Photo by Janelle. </div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com1tag:blogger.com,1999:blog-6975467493408447095.post-61072520760889636612016-10-02T23:54:00.000-07:002016-10-02T23:54:06.428-07:00THE URGENTS - Demo - Tape - 2013<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0T60FQSQlmuENjLRRd3Z-KfMUOlUSPvXoC7BaSVP5_BOkb8zG6El1iqslzKmyX_XUUI00_eBV2Mp57iFSepDynEQv41GnPHHOwC2OHsyTKmIkx7ZVJWiuLIGJ0IP800uzS2e5InH9MOU/s1600/IMG_1215.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0T60FQSQlmuENjLRRd3Z-KfMUOlUSPvXoC7BaSVP5_BOkb8zG6El1iqslzKmyX_XUUI00_eBV2Mp57iFSepDynEQv41GnPHHOwC2OHsyTKmIkx7ZVJWiuLIGJ0IP800uzS2e5InH9MOU/s320/IMG_1215.jpg" width="320" /></a></div>
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<i>Today's post is brought to you by Chloe.</i></div>
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Breaking the Clocks, Burning the Bridges: A hagiography of that fucking Hesh Paul
The Urgents, Demo Tape, Recorded December 23rd, 2013, at the OMC 4th Floor on Lean </div>
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Heartbreak rose with the sun on Friday. Paul Woods has died, but he left us with his music. Music was the thing Paul cared about most. He could have done almost anything with his life but chose music. Most people don’t know this about Paul because he was such a goof ball, but he was really smart. Paul had a degree in Philosophy from UC Santa Cruz. Sometimes when I was worried about something or other, I would go lay on his bed, tell him about it. He would pull a book off his shelf: Foucault lectures on Psychiatry, books about DMT effects on the brain. Those books helped me through more than a few hard times. In fact one time when I was very nervous about my second date with a super-hot Marxist, I asked Paul for a book to bring on the picnic that would make me look smart. He handed me Les Chants de Maldoror packaged with an encouraging speech. I walked away feeling confident. He could make you feel really good.<br />
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The Urgents was Argeniz on bass (Maquina Muerte), Ryan Texas on drums (Death Drive, Trenches), and Paul and I on guitar. Paul wrote all the songs before compiling the group. He even typed up the lyric sheets on his little typewriter, so I could sing along. We practiced together for a few months, played one show in front of a “Dump Yer Landlord” banner, and recorded these songs. This album was not destined to come out great, but when you listen to it you will notice that it is great. First, because it was all Paul, and this was his passion. Every piece of equipment was his, all the sound engineering and mastering was his doing, the riffs were his and the solos were also his. The Urgents was his ode to punk; a community that let him be him. The other reason it is great is because it is true. At the time of this album, Paul and I were co-defendants in a graffiti case deriving from a FTP march and were squatting at the infamous RCA/Hot Mess. The songs are all about our lived experiences, the love and heartbreak of those years. Watch The Smoke is about that moment where you go for it, hard, don’t look back even though you may lose it all, you pause to revel in the simple beauty of the smoke. The Urgents is about the real estate lawyer who evicted us from the RCA. His name was Bruce Reeves and one time in court Paul very calmly referred to him as Ruce Breeves without laughing. That kid was wearing a bolo tie and a ten gallon hat. The judge asked them to exchange emails and Mr. Breeves looked up at Paul and asked, “liveXfast at riseup.net: is that right?” His grinned a big grin to bear that gap of his missing front tooth (lost to a bite of crusty pizza) and replied, “Yes, that is right Your Honor.” It was glorious. Ruce Breeves had a stroke and shut down his office after handling that case. No doubt a product of being casual taunted by a long haired hesher in a cowboy hat. I Had a Future is about how Paul was going to be a Marine Biologist after high school and did a year of school for it, but dropped out because he just wanted to play music and hang out. “I had a future//man it was so bleak//had to run away.” He was really proud of this song because it captured how having a future just meant fucking people over. “Traded in my future//for a chance to live again.” Blurry Visions is about feeling alone: in your head and in an crowd.<br />
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Say what you will about Paul because he wasn’t a saint (“God never takes the angels early”). But he was a warm and loyal friend. I will miss his hugs, the way he held you really tight in his thick crusty vest was the ultimate comfort. Paul was unlike most people in one key respect: you would never hear him say he hated somebody. He avoided all out character denunciations and looked for the good bits in the messes of all of us. He laughed with you about himself and his flaws or you and your flaws, a big loud laugh. The last couple years have been really hard. A lot of people came together and then fell apart. Every time we lose a Basil, or a Barker, or a Paul or a Chris Chitty, or a Monique I hope we can use it as a moment to reflect on the ways we treat each other while still living. The living times go by really fast unless we have each other to break the clocks. The black flag will be flying at half mast for a while. Goodnight you fucking Hesher Paul.
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<a href="https://archive.org/download/urgents/urgents.zip" target="_blank">DOWNLOAD</a></div>
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To contribute to his memorial fund, <a href="https://www.gofundme.com/2s9x2z8" target="_blank">please click here.</a> </div>
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Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com1tag:blogger.com,1999:blog-6975467493408447095.post-61531938460177259962016-09-28T18:55:00.001-07:002023-07-13T11:58:31.681-07:00THE YOUNG MEN / HUFF STUFF MAGAZINE / NEON PISS<div class="separator" style="clear: both; text-align: center;">
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This one has been a tough one to get around to writing and going into it right now, I'm not even exactly sure what I'm going to say. Our friend Barker Gee took his own life in Conway, Arkansas on June 22nd this year and I'm <i>still </i>waiting for him to pop out of the bushes with that big dumb grin on his face and say "haw haw!! GOTCHA!"....and just walk off smoking a cigarette like nothing happened. To say that it's devastating to our community of friends is the understatement of the year. I hate it so much.<br />
I have too many stories to share about Barker. They're all darkness and light. Some of them are side splittingly funny. Others are so crushingly sad that if I think about them too much, I can't do anything but cry. He had a spark that is rare for the people you meet in this life. (I've now been sitting here staring at the screen for 20 minutes with my fingers on the keyboard thinking about everything....every interaction...and I just don't know what to say, still.)<br />
Once, our old band NEON PISS was driving up to Portland to play a show. I was driving and Barker was in the back seat asking if he could smoke in the car again (no). The mix tape I made was playing when "Tabletop Hop" by THE YOUNG MEN came on. Barker yelled "Whoa! You put this on your tape??!!? Hell yeah!" When the guitar solo - his guitar solo - came on, he yelled "Turn it all the way up!!" I did and he played air guitar to it. The whole thing was so ridiculous and endearing and we all just laughed like idiots.<br />
THE YOUNG MEN was Barker, Jamie, Ren and Skip. They started after BENT OUTTA SHAPE split up and (predictably) did not get the respect they deserved following the foot print that BENT left behind. Barker put this tape out years after the band split up and it's a bunch of stuff they never got around to releasing. The tape includes 10 songs from "The Chris Pierce Sessions", 3 songs I know very little about and their 4 song demo. "Alabam'" from the demo is easily my favorite song about my home state written by someone who never lived there.<br />
HUFF STUFF MAGAZINE was a short lived Oakland band featuring Barker on guitar and vocals, Stevo on bass and Brad on drums. One time, Barker called me and asked if I had ever listened to their demo tape. I said "Yeah....once." He said "Well, listen to it a few more times. We need you to play drums for us at Thrillhouse tonight." I did listen to it some more but then I showed up too late and missed the entire show. I heard that they just grabbed someone from the audience to play. Regardless, through the repeated listening, I realized that the tape is excellent. You can still <a href="https://shop.dead-beat-records.com/search?q=huff+stuff+magazine" target="_blank">order their LP here</a>. At a recent memorial for Barker, I noticed that almost every time I paid attention to what was on the stereo, it was the HUFF STUFF record.<br />
At some point while NP was still a band, Barker took off to New York to get clean. While he was there, he started playing some music with Aaron Cometbus and was supposed to get some dude from FUGAZI in the band too. I don't think that ever happened, but he sent me an email one day telling me about what he was up to on the East Coast. He sent me an mp3 of his new band and said "Don't ever let anyone hear this!!" Sorry Barker. Someone already put this song online anyway.<br />
I'm including the NEON PISS LP. 45. <a href="http://remoteoutposts.blogspot.com/2011/08/neon-piss-demo-tape-2010.html" target="_blank">demo tape</a> and weird <a href="http://remoteoutposts.blogspot.com/2013/07/neon-piss-rarities-1979-1987-cd-r-2013.html" target="_blank">"rarities" CD</a> that we sold at our last show because I realized you can't download it for free on our Bandcamp page. I don't know how to log into that page anymore, so here's everything for free. Also included is the rough mix of "Siege Mentality" off of our LP. I threw this one in because Barker whispers "There is no God"during a break in the song towards the end. On the LP, it got mixed really far down, but on this mix, it's pretty prominent. It's one of my favorite things on the LP because it was an off the cuff thing that Barker decided to throw in without really talking to us about it. There's also a practice space recording of a later song that never got fully worked out that Barker wrote. (haha! I just remembered that this song is already included in the rarities CD. Ooops!)<br />
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<a href="https://archive.org/download/ForBarker/For%20Barker.zip" target="_blank">DOWNLOAD</a></div>
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<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="https://player.vimeo.com/video/50017149" webkitallowfullscreen="" width="640"></iframe></div>
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<a href="https://vimeo.com/50017149">Why? by Huff Stuff Magazine</a> from <a href="https://vimeo.com/johnmink">John No</a> on <a href="https://vimeo.com/">Vimeo</a>.</div>
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From John No's piece about this video in the memorial zine edited by Janelle Hessig: </div>
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"Barker cracked an egg into the pan as the camera rolled and it had TWO YOLKS - Which is always freaky but of course it happens from time to time....then he cracked the second egg and it had two yolks AGAIN! This time, we were like "Holy shit!" and started laughing pretty hard so his cigarette fell into the pan. He left it in there, kept cooking the eggs and lit another cigarette and then put that one out into the pan. Barker ate most of it and promptly puked."</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnPIE3G4pbFZd-p1el26l5VzPuCU2p-UgST2xacmSGcv7TIqEb4SVG4kY2W0KyzdGW1O17ePWGjvR6HGlTNSOZ3Kh7d3hFYrxLQY3HdHew5XOWyWQ0bFc8_RPW_4U3tfqnD-8LbNkSNxU/s1600/68158_1548351557200_3694311_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnPIE3G4pbFZd-p1el26l5VzPuCU2p-UgST2xacmSGcv7TIqEb4SVG4kY2W0KyzdGW1O17ePWGjvR6HGlTNSOZ3Kh7d3hFYrxLQY3HdHew5XOWyWQ0bFc8_RPW_4U3tfqnD-8LbNkSNxU/s320/68158_1548351557200_3694311_n.jpg" width="320" /></a></div>
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Barker at Kurt Cobain's house. Photo by me.<br />
<br />
THANKS:<br />
Alex Turner for finding the things I don't have.<br />
Caitlin Kelly for repressing the YM tape for the memorial and being a perfect angel.<br />
Barker Gee for being such a singular, weird, engaging and loving human freak in this world. </div>
Harvesterhttp://www.blogger.com/profile/03763325739577353118noreply@blogger.com8