YOUR HEART BREAKS - Tour EP - 2003 - CD-R

   This is not the first appearance of YOUR HEART BREAKS on the blog. For more info, you could look here or here or even here (kind of). This was my first introduction to the band though and I would blast it through my headphones while walking around in the cold of the small Midwestern college town where I used to live in 2004. I didn't know Clyde (the main songwriter and core member) that well then, but I agreed to quit my job and roadie for his other band for a month anyway. Sometimes I look back on that trip as a mistake, but most of the time I know that it wasn't because it solidified our friendship in many ways that might not have happened otherwise.
   On the tour, I would sit behind the merch table while oogles talked to me about their dog or people handed me a beer or a college student would hand me a check for a few hundred dollars. I would sell their band's music and sometimes people would pick up this YHB CD. I'd sit there and try to sell them on it while they looked at me skeptically. "Yeah, it's this broken hearted queer pop music...no, it's not folk-punk...no, it's not on Plan-It-X records....yeah, I know that Rymodee from THIS BIKE IS A PIPEBOMB is listed as a member but he only plays the harmonica on one song for about 45 seconds...but, anyway, YOUR HEART BREAKS is this really cool...huh? Yeah, I know Rymodee and his band..yeah, they're really nice....no...I, I don't want a CD-r of your folk punk bedroom project...yeah, I've toured with them.....so, anyway, this CD is like this cool pop band and....oh, yeah, there's a beer store right down the street. No, I don't have any extra beer for you but a tall can is only like $1.50 over there...okay, thanks, bye."
    Most of the time, kids would buy this YHB CD after seeing that Rymodee played harmonica on it and after I explained that he only played for a minimal amount of time. I would sit there and hope that they would get past that. I liked to imagine that we were coming into some of these small towns like Goldsboro, NC (where the band was asked to not use "curse words" at their show)  and passing along this nugget of queerness into a deeply religious military town. Like, maybe they listened to the words and discovered some new shit about themselves and didn't feel so alone. Maybe they started their own queer pop band and helped marines come out to each other while realizing that it's not really a bad thing to be gay around a bunch of really fit men. Maybe it helped them realize that they needed to get the fuck out of that town and never look back. Or maybe they just filed it away in a pile and never listened to it again.
   I like these songs a lot. I'm pretty sure it's the only time anyone has sang anything about the band NEW BAD THINGS.

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YOUR HEART BREAKS is still a very active band and only gets better. 

Clyde made an amazing movie called Torrey Pines and he'll be touring the US with it this fall and winter. 

MUGWORT - Demo - Tape - 2011

    Mugwort, the plant, is said to further one's psychic abilities, enhance your dreams and repel negative energies. If used in excess, it can prove to be toxic...so toxic that it has been used in herbal abortions. MUGWORT, the band, could probably also enhance your dreams and repel a lot of negative energy in your mind. I can't comment on their psychic energies or fetus-destroying abilities.
   I was at a basement show in Oakland last week where 2/3rd's of MUGWORT were playing in a new band (their name escaped me) that built off of the player's long histories in other bands like SHITSTORM and THE GOOD GOOD...bands that never seemed to fully get the recognition they deserved (whatever the fuck "recognition" means in your mind...they didn't get it), but succeeded in throwing out loads of incredible music and playing shows that will always stick with me.
   MUGWORT enjoyed a brief stint in the Bay Area queer punk scene, playing tons of shows in their SF house near 21st and Capp. I'm sure they played other places too, but I only ever saw them there. Wu banged out insistent lines on their bass while Sara worked around the melodies and just invented her own cool style. Peter drums in a way that is so inspiring to me...somehow effortlessly playing this wild style that is "missed" notes, propulsive cymbals and almost intentionally playing off the rhythms but still holding it all together. They all sing. It's an incredible tape. It's been by my stereo for years now.

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They also have a Bandcamp, but it's missing two songs from the tape. I don't know why.

You can also enjoy some of their songs set to video too. 

Maybe I'll remember the name of that new band so I can go see them more. 

SBSM - Joy / Rage - Tape - 2015

I put this tape out for my friends in Oakland. 

I have very strong feelings about it

I don't feel like I'm in the position to give you the run down. 

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Tapes are pro-dubbed and come with a ten page zine by the band.

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S.B.S.M. - "Bitter Ends" - Tape - 2014

   There's this thing that happens when you live in town long enough where everyone just assumes that you know everyone. This isn't true. I started hearing about S.B.S.M. around town. When I asked some friends about the band, they would just say "Oh, you know them...it's (these people) and they played that show at (venue I've never heard of) with (that one band everyone cares about but somehow I've never heard of them)" Well, it turns out that I work with a member of S.B.S.M. Oops.
   When I finally tracked down S.B.S.M., they were playing in a tiny basement in West Oakland. Their loud, cacophonous mess of sound was almost overwhelming in a way I haven't felt locally in a long time. The thing that really drew me to them, besides the fact that I was into their music, is that even though it's completely obvious that the three people in this band are very serious about what they do, they don't let that stop them from laughing it off when their broken equipment shorts out mid-song. One of them will use that as an opportunity to explain the song or tell you about an upcoming protest or talk about why they're playing that particular benefit show while the other members change out cables, tear apart wires and try to figure out what the fuck went wrong. And this is all so refreshing for me because I feel like we have entered a stage of punk (and this is just my perspective) where so many bands are trying to be perfect recreations of bygone eras or they're afraid to go out on limbs or they're trying to pose just right for that Instagram photo or whatever the fuck it is that people do. Many bands don't discuss their politics anymore or don't have any politics to speak of whatsoever, but when the whole fucking world is falling apart and there are rape apologists (and rapists) in your audience and cops are killing all the brown people they can possibly get away with and you feel like you're just gonna explode because you can't fucking take it anymore...just fucking talk about it!! Or just take your place in line (or the barstool) next to all the other soulless hardcore bands.

   The other reason I like them is that when they play the last part of ":Godzilla" live, it sounds like 30 bombs going off in a haunted castle nestled in a nightmare world.

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They're recording a new tape soon.